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5.0 out of 5 stars Paul Simon's Seminal Album
(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } 25 years on, an anniversary edition of Graceland has been compiled and includes Joe Berlinger's 2012 Sundance Film Festival-commended documentary 'Under African Skies,' a moving analysis of the political backdrop that both informed the album and was challenged by the very existence of 'Graceland.' The commentary and debate surrounding the creation of the album has never ceased, though, but with hindsight, Berlinger casts light and clarity over the events surrounding its creation. The South African musicians with whom Simon collaborated are given equal voice in the documentary, immediately undermining the accusations of exploitation that are often levelled at Paul Simon.Admittedly, 'Graceland' may well have brought South African music to the attention of the white western world in a manner that watered it down, stylistically. What becomes apparent, though, is that the songwriter's motives for going to South Africa was not to pillage the sound or the culture of the country but was borne of a love for the music that he had once discovered on a cassette tape given to him by a friend. He was given the option of using New York musicians to recreate the sound. He rejected the idea outright and wanted instead, to go to the birthplace of this sound and to collaborate with the musicians responsible for its creation.A testament to the unifying power of music, Joseph Shabalala of Ladysmith Black Mambazo is quick to dismiss any notion of racial hierarchy within those recording sessions. "he's my brother. because of the music," he says to camera in a manner that suggests it would be futile to question him. A thread that runs through the documentary is an uncomfortable - though civil - confrontation between Paul Simon and Dali Tambo of Artists Against Apartheid, filmed for the documentary. Tambo is openly critical of Simon's actions in recording 'Graceland' when he did, with black South African musicians, because of that "inconvenient thing called apartheid." Tambo tells him plainly "it wasn't the ideal form of cultural exchange. they weren't free people." Certainly, the image that Paul Simon found himself portraying, of black South Africa, was problematic in its simplicity. Simon's answers always boil down to one thing; and when he repeats it, the arguments against him all but evaporate: They were artists. Collaborating together. Music knows no hierarchy. "They didn't say 'come here and tell my story," he says. So he didn't.Aside from the debate and enlightenment of the documentary, the 25th anniversary package also works as an insightful refresh on the classic album. There are several piquant moments, such as the revelation that 'Diamonds on the Soles of Her Shoes' - possibly one of the most iconic tracks on the album - was written because the record label had delayed the release of the album for a few months. Paul had all the musicians in New York for a Saturday Night Live performance (a highlight, in itself, for its awkward tenderness), so they decided to make the best of their time together and crack on with another song. Just one of those moments where circumstance plays into the hands of the artist. Elsewhere, the DVD contains some of the music videos from the album, including the simple, yet hilarious 'You Can Call Me Al,' featuring Chevy Chase. The audio CD features demo versions of several of the album tracks. A particular highlight is 'Homeless,' a softer, fuzzier version than the one destined for wider release.Of all the negative commentary leveled at Paul Simon, at the time of Graceland's release, the media contained herein leaves you with a feeling that his biggest crime was one of naivety. Not that he wasn't aware of the political situation - though there were certainly holes in the limited awareness that he did have - but he certainly seemed naïve to the impact that he would have and the anger that would be wrought from his actions. It was the blindness that came with that naivety, though, that caused him to stumble through doors that would otherwise have remained closed to him. 'Graceland' is many different albums, depending on the filter through which you listen to it. When viewed as a collaborative effort between two disparate cultures, the politics fade away momentarily and reveal a masterpiece.
5.0 out of 5 stars Beautiful packaging, great documentary DVD.
Paul Simon is my absolute favorite musician, and Graceland is probably my favorite album of all time. (Rotates between a few other Paul Simon and Simon/Garfunkle Albums) The packaging is beautifully put together set and will look fantastic on your bookcase or displaying somewhere in your home. I have mine on the piano. The reproduction of the lyrics notepad is very cool. Getting to see the lyrics in Paul's handwriting and get a look at the creative process he went through is a real treat. Between that and the documentary that came with the set, I felt I got an intimate look and better understanding of how one of the greatest albums ever came to fruition. The other booklet with all the history is beautifully designed as well. The whole thing is a gem visually.The documentary that comes with the set is just fantastic. The rave reviews are all very deserved. People have complained that there isn't a lot of music in the documentary? Well, that's not what it was supposed to be about! It found it fascinating to learn all about the politics involved in making this and to hear Paul talk about the process of creating it. I think the negative press he received at the time was ridiculous, and many people now acknowledge that the album was a driving force in ending apartheid because it sparked interest in the country. I also love how people like Hugh Masakela and Miriam Makeba totally supported him. I love how it told the story of finding musicians, how it changed their lives, how it changed Paul's, and how it changed many people's and the world's view on South Africa. I could write all day about how great this documentary is.Couple of other things: The sound quality of the CD seems a little less vibrant than I remember. The bonus CD of the live concert is cool I guess but nothing special. The demo tracks are interesting, but I was a little disappointed. Thought they would have interesting takes, but it's clear that the best versions of these songs are the ones on the finished studio album, and on the Concert in the Park album.
5.0 out of 5 stars sounds and plays beautifully
This is concerning the 25th anniversary vinyl version with the hype sticker and download card. First off, my download code worked, did not get an expired message even though I purchased this in 2021. I read some complain about noisy vinyl but I don't hear it. I did run it through my spin disk first to remove any manufacturing debris, but it looked pretty clean and flat before it's wash.Playback: no issues or skips on my gear. Some other reviews mention lots of skipping and noisy vinyl. Not the case for me.Diamonds on the soles of her shoes sounds stunning ! This is a killer pressing, not sure what others are complaining about. The bass playing on Call Me Al is worth the cost of the album, simply incredible and a bargain at it's price.My set up: Fluance reference turntable using a Nagaoka MP-110 cartridge with the tracking force set at 1.9g. No runs, no skips, no errors. Listened through Sennheiser HD650 headphones and the sound of this record rivals my MFSL pressings, no joke. get it and enjoy
5.0 out of 5 stars Fantastic music and album pressing.
Top notch all the way.
5.0 out of 5 stars Love this album
Had to buy on vinyl. Love it!!
5.0 out of 5 stars a gem
great music that you will love again and again
Album culte
(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } Une merveille
Un capolavoro assoluto
A parte la completezza e la qualità delle registrazioni dei pezzi (compresi molti bonus inediti) sia in video che in audio, risulta completissima anche la documentazione e le descrizioni dei lavori svolti in pre e post produzione per riuscire a fare decollare questo epico progetto musicale. Molto ben documentata anche la discussione interna al paese (Sudafrica) prima durante e dopo il famoso concerto in relazione alla politica di apartheid dell'allora governo sudafricano. Davvero tutto interessantissimo.
Anachronistischer Zug
Die Achtzigerjahre waren überformt von der Auseinandersetzung mit der Apartheid in Südafrika, die 1989 mit der Freilassung Nelson Mandelas und der Zulassung freier Wahlen endete. Auch die populäre Musikkultur blieb davon nicht unbeeinflusst. Viele Künstler setzten sich mit an die Spitze der Aufrufe gegen die Rassentrennung am Kap. Es war in höchstem Maße tabuisiert, Obst aus Südafrika zu kaufen, Mahnwachen vor Bankgebäuden waren keine Seltenheit und hatten reichlich Zulauf. Gelbe Schals drückten Solidarität mit dem ANC aus. Es erschienen CDs, die den Vermerk enthielten, dass sie - "for copyright reasons" - nicht in Südafrika erhältlich seien und es gab sogar einen Sampler unter dem Motto "I Ain't Gonna Go Sun City" (ein südafrikanischer Vergnügungspark und beliebter Veranstaltungsort), obwohl viele der Beteiligten wohl ohnehin nicht auf die Idee gekommen wären, dort aufzutreten. In diesen Zusammenhang gehört auch, dass die Entscheider in den multi-nationalen Konzernen langsam nervös wurden, denn nur mit freien Menschen lassen sich Geschäfte machen. Entgegen einer Sanktion der Vereinten Nationen gegen das Apartheitsregime nahm Paul Simon mit Musikern aus Südafrika das geniale Album "Graceland" auf - und landete damit 1986 einen überragenden, unwiederholbaren Erfolg."Graceland" knüpft an die Wurzeln der Rockmusik an und bietet sehr lyrische Texte. Gemeinsam mit der südafrikanischen Formation "Ladysmith Black Mambazo" und der mexikanisch-amerikanischen Gruppe "Los Lobos" hat Paul Simon eine unvergessliche, zeitlose Mixtur aus Rock, Ethno, Calypso, Jazz, Folk und Soul zusammengestellt. Bereits in den Sechzigerjahren hatten Simon & Garfunkel die Musikwelt mit "El Condor Pasa" aufhorchen lassen. Doch wenn wir heute von "Weltmusik" sprechen, ist vor allem dieses Album zu nennen. Denn viele Musikfreunde hätten ohne es kaum einen Zugang zur Musik von anderen Kontinenten gefunden. Einzelne Titel daraus werden nach wie vor gern im Radio gespielt: "The Boy In The Bubble", "You Can Call Me Al", "Diamonds On The Soles Of Her Shoes" und natürlich das Titelstück "Graceland" erfreuen sich längst bei denen großer Beliebtheit, deren Eltern sich seinerzeit die LP gekauft haben.Dieses makellos produzierte Album ist ohne Zweifel eines der interessantesten Werke der Gegenwartskultur und wird ganz sicher seinen unstrittigen Platz in der Geschichte der populären Musik behalten. Rückblickend lässt sich sogar sagen, dass diese Veröffentlichung vermutlich sehr viel zur Überwindung der unmenschlichen Rassentrennung beigetragen hat, weil Paul Simon damit die öffentliche Wahrnehmung auf die Zustände am Kap und auf die Schönheit afrikanischer Musik gelenkt hat, statt sich in einer eher hilflosen Boykotthaltung zu ergehen.
Una auténtica joya de la música pop
Uno de mis discos de cabecera. A pesar de que dice ser la edición 25 años, no hay ningún extra conmemorativo salvo un póster del disco (que desconozco si estaba en la edición original). De todos modos, el disco es suficientemente bueno como para no necesitar más...
Histórico
Maravilhoso
Visit the Legacy Recordings Store
Graceland
AED18747
Quantity:
Order today to get by 7-14 business days
Delivery fee of AED 20. Free for orders above AED 200.
Imported From: United States
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Visit the Legacy Recordings Store
Graceland
AED18747
Quantity:
Order today to get by 7-14 business days
Delivery fee of AED 20. Free for orders above AED 200.
Imported From: United States
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
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Reviews:
5.0 out of 5 stars Paul Simon's Seminal Album
(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } 25 years on, an anniversary edition of Graceland has been compiled and includes Joe Berlinger's 2012 Sundance Film Festival-commended documentary 'Under African Skies,' a moving analysis of the political backdrop that both informed the album and was challenged by the very existence of 'Graceland.' The commentary and debate surrounding the creation of the album has never ceased, though, but with hindsight, Berlinger casts light and clarity over the events surrounding its creation. The South African musicians with whom Simon collaborated are given equal voice in the documentary, immediately undermining the accusations of exploitation that are often levelled at Paul Simon.Admittedly, 'Graceland' may well have brought South African music to the attention of the white western world in a manner that watered it down, stylistically. What becomes apparent, though, is that the songwriter's motives for going to South Africa was not to pillage the sound or the culture of the country but was borne of a love for the music that he had once discovered on a cassette tape given to him by a friend. He was given the option of using New York musicians to recreate the sound. He rejected the idea outright and wanted instead, to go to the birthplace of this sound and to collaborate with the musicians responsible for its creation.A testament to the unifying power of music, Joseph Shabalala of Ladysmith Black Mambazo is quick to dismiss any notion of racial hierarchy within those recording sessions. "he's my brother. because of the music," he says to camera in a manner that suggests it would be futile to question him. A thread that runs through the documentary is an uncomfortable - though civil - confrontation between Paul Simon and Dali Tambo of Artists Against Apartheid, filmed for the documentary. Tambo is openly critical of Simon's actions in recording 'Graceland' when he did, with black South African musicians, because of that "inconvenient thing called apartheid." Tambo tells him plainly "it wasn't the ideal form of cultural exchange. they weren't free people." Certainly, the image that Paul Simon found himself portraying, of black South Africa, was problematic in its simplicity. Simon's answers always boil down to one thing; and when he repeats it, the arguments against him all but evaporate: They were artists. Collaborating together. Music knows no hierarchy. "They didn't say 'come here and tell my story," he says. So he didn't.Aside from the debate and enlightenment of the documentary, the 25th anniversary package also works as an insightful refresh on the classic album. There are several piquant moments, such as the revelation that 'Diamonds on the Soles of Her Shoes' - possibly one of the most iconic tracks on the album - was written because the record label had delayed the release of the album for a few months. Paul had all the musicians in New York for a Saturday Night Live performance (a highlight, in itself, for its awkward tenderness), so they decided to make the best of their time together and crack on with another song. Just one of those moments where circumstance plays into the hands of the artist. Elsewhere, the DVD contains some of the music videos from the album, including the simple, yet hilarious 'You Can Call Me Al,' featuring Chevy Chase. The audio CD features demo versions of several of the album tracks. A particular highlight is 'Homeless,' a softer, fuzzier version than the one destined for wider release.Of all the negative commentary leveled at Paul Simon, at the time of Graceland's release, the media contained herein leaves you with a feeling that his biggest crime was one of naivety. Not that he wasn't aware of the political situation - though there were certainly holes in the limited awareness that he did have - but he certainly seemed naïve to the impact that he would have and the anger that would be wrought from his actions. It was the blindness that came with that naivety, though, that caused him to stumble through doors that would otherwise have remained closed to him. 'Graceland' is many different albums, depending on the filter through which you listen to it. When viewed as a collaborative effort between two disparate cultures, the politics fade away momentarily and reveal a masterpiece.
5.0 out of 5 stars Beautiful packaging, great documentary DVD.
Paul Simon is my absolute favorite musician, and Graceland is probably my favorite album of all time. (Rotates between a few other Paul Simon and Simon/Garfunkle Albums) The packaging is beautifully put together set and will look fantastic on your bookcase or displaying somewhere in your home. I have mine on the piano. The reproduction of the lyrics notepad is very cool. Getting to see the lyrics in Paul's handwriting and get a look at the creative process he went through is a real treat. Between that and the documentary that came with the set, I felt I got an intimate look and better understanding of how one of the greatest albums ever came to fruition. The other booklet with all the history is beautifully designed as well. The whole thing is a gem visually.The documentary that comes with the set is just fantastic. The rave reviews are all very deserved. People have complained that there isn't a lot of music in the documentary? Well, that's not what it was supposed to be about! It found it fascinating to learn all about the politics involved in making this and to hear Paul talk about the process of creating it. I think the negative press he received at the time was ridiculous, and many people now acknowledge that the album was a driving force in ending apartheid because it sparked interest in the country. I also love how people like Hugh Masakela and Miriam Makeba totally supported him. I love how it told the story of finding musicians, how it changed their lives, how it changed Paul's, and how it changed many people's and the world's view on South Africa. I could write all day about how great this documentary is.Couple of other things: The sound quality of the CD seems a little less vibrant than I remember. The bonus CD of the live concert is cool I guess but nothing special. The demo tracks are interesting, but I was a little disappointed. Thought they would have interesting takes, but it's clear that the best versions of these songs are the ones on the finished studio album, and on the Concert in the Park album.
5.0 out of 5 stars sounds and plays beautifully
This is concerning the 25th anniversary vinyl version with the hype sticker and download card. First off, my download code worked, did not get an expired message even though I purchased this in 2021. I read some complain about noisy vinyl but I don't hear it. I did run it through my spin disk first to remove any manufacturing debris, but it looked pretty clean and flat before it's wash.Playback: no issues or skips on my gear. Some other reviews mention lots of skipping and noisy vinyl. Not the case for me.Diamonds on the soles of her shoes sounds stunning ! This is a killer pressing, not sure what others are complaining about. The bass playing on Call Me Al is worth the cost of the album, simply incredible and a bargain at it's price.My set up: Fluance reference turntable using a Nagaoka MP-110 cartridge with the tracking force set at 1.9g. No runs, no skips, no errors. Listened through Sennheiser HD650 headphones and the sound of this record rivals my MFSL pressings, no joke. get it and enjoy
5.0 out of 5 stars Fantastic music and album pressing.
Top notch all the way.
5.0 out of 5 stars Love this album
Had to buy on vinyl. Love it!!
5.0 out of 5 stars a gem
great music that you will love again and again
Album culte
(function() { P.when('cr-A', 'ready').execute(function(A) { if(typeof A.toggleExpanderAriaLabel === 'function') { A.toggleExpanderAriaLabel('review_text_read_more', 'Read more of this review', 'Read less of this review'); } }); })(); .review-text-read-more-expander:focus-visible { outline: 2px solid #2162a1; outline-offset: 2px; border-radius: 5px; } Une merveille
Un capolavoro assoluto
A parte la completezza e la qualità delle registrazioni dei pezzi (compresi molti bonus inediti) sia in video che in audio, risulta completissima anche la documentazione e le descrizioni dei lavori svolti in pre e post produzione per riuscire a fare decollare questo epico progetto musicale. Molto ben documentata anche la discussione interna al paese (Sudafrica) prima durante e dopo il famoso concerto in relazione alla politica di apartheid dell'allora governo sudafricano. Davvero tutto interessantissimo.
Anachronistischer Zug
Die Achtzigerjahre waren überformt von der Auseinandersetzung mit der Apartheid in Südafrika, die 1989 mit der Freilassung Nelson Mandelas und der Zulassung freier Wahlen endete. Auch die populäre Musikkultur blieb davon nicht unbeeinflusst. Viele Künstler setzten sich mit an die Spitze der Aufrufe gegen die Rassentrennung am Kap. Es war in höchstem Maße tabuisiert, Obst aus Südafrika zu kaufen, Mahnwachen vor Bankgebäuden waren keine Seltenheit und hatten reichlich Zulauf. Gelbe Schals drückten Solidarität mit dem ANC aus. Es erschienen CDs, die den Vermerk enthielten, dass sie - "for copyright reasons" - nicht in Südafrika erhältlich seien und es gab sogar einen Sampler unter dem Motto "I Ain't Gonna Go Sun City" (ein südafrikanischer Vergnügungspark und beliebter Veranstaltungsort), obwohl viele der Beteiligten wohl ohnehin nicht auf die Idee gekommen wären, dort aufzutreten. In diesen Zusammenhang gehört auch, dass die Entscheider in den multi-nationalen Konzernen langsam nervös wurden, denn nur mit freien Menschen lassen sich Geschäfte machen. Entgegen einer Sanktion der Vereinten Nationen gegen das Apartheitsregime nahm Paul Simon mit Musikern aus Südafrika das geniale Album "Graceland" auf - und landete damit 1986 einen überragenden, unwiederholbaren Erfolg."Graceland" knüpft an die Wurzeln der Rockmusik an und bietet sehr lyrische Texte. Gemeinsam mit der südafrikanischen Formation "Ladysmith Black Mambazo" und der mexikanisch-amerikanischen Gruppe "Los Lobos" hat Paul Simon eine unvergessliche, zeitlose Mixtur aus Rock, Ethno, Calypso, Jazz, Folk und Soul zusammengestellt. Bereits in den Sechzigerjahren hatten Simon & Garfunkel die Musikwelt mit "El Condor Pasa" aufhorchen lassen. Doch wenn wir heute von "Weltmusik" sprechen, ist vor allem dieses Album zu nennen. Denn viele Musikfreunde hätten ohne es kaum einen Zugang zur Musik von anderen Kontinenten gefunden. Einzelne Titel daraus werden nach wie vor gern im Radio gespielt: "The Boy In The Bubble", "You Can Call Me Al", "Diamonds On The Soles Of Her Shoes" und natürlich das Titelstück "Graceland" erfreuen sich längst bei denen großer Beliebtheit, deren Eltern sich seinerzeit die LP gekauft haben.Dieses makellos produzierte Album ist ohne Zweifel eines der interessantesten Werke der Gegenwartskultur und wird ganz sicher seinen unstrittigen Platz in der Geschichte der populären Musik behalten. Rückblickend lässt sich sogar sagen, dass diese Veröffentlichung vermutlich sehr viel zur Überwindung der unmenschlichen Rassentrennung beigetragen hat, weil Paul Simon damit die öffentliche Wahrnehmung auf die Zustände am Kap und auf die Schönheit afrikanischer Musik gelenkt hat, statt sich in einer eher hilflosen Boykotthaltung zu ergehen.
Una auténtica joya de la música pop
Uno de mis discos de cabecera. A pesar de que dice ser la edición 25 años, no hay ningún extra conmemorativo salvo un póster del disco (que desconozco si estaba en la edición original). De todos modos, el disco es suficientemente bueno como para no necesitar más...
Histórico
Maravilhoso
Similar suggestions by Bolo
More from this brand
Similar items from “Singer-Songwriters”
Share with
Or share with link
https://www.bolo.ae/products/UO007C06QW0