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Wild Clay: Creating ceramics and glazes from natural and found resources

Description:

The ultimate illustrated guide for sourcing, processing and using wild clay.

Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings.

Testing and trial and error are key to finding a material's best use, so the authors' tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments.

Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay's characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.

Editorial Reviews

Review

“This beautifully illustrated guide is the ideal starting point for those wanting to forge a closer bond between their art and their natural surroundings.” ―Ceramics Now

“Finding your own clay-especially for use as a glaze material or to augment a commercial clay body-is increasingly popular and this book is a guide to finding, testing, and using wild clay.” ―
The Studio Manager

"A fascinating guide to finding your own clay and creating your own glazes. Billed as ideal starting point for novices, experts, and everyone in between, this is an excellent addition to the experienced ceramicist’s library, but also to those new to the art." -
Book Riot

About the Author

Matt Levy was raised in Flagstaff, Arizona, and educated in Wisconsin and Montana. He has a strong connection to the geology around him and the materials found within are a constant driving force in his practice. A Materialist at heart, Matt is motivated by what can be found in the soil beneath his feet and the rocks he finds in the landscape. He lives in St. Paul, Minnesota, with his wife and child, sourcing local clay from Lake Superior and Mississippi River Basin.

Takuro Shibata is a Japanese native ceramic artist based in Seagrove, North Carolina, USA, and has studied Engineering in Applied Chemistry at Doshisha University, Kyoto, Japan. Later, his interest in ceramics led him to become an apprentice at a local pottery studio in Shigaraki, Japan. After visiting the USA with his wife in 2001, many opportunities came up to join ceramic art programs and in 2005, they both moved to the Seagrove area after he had accepted the position of director at STARworks Ceramics.

Takuro has developed a national reputation as a ceramic artist and wild clay specialist. His own ceramic work, knowledge of ceramic materials and background story have all been prominently featured in the media and shared in many exhibitions, workshops, publications and ceramic conferences both nationally and internationally. He is a member of the International Academy of Ceramics (IAC).



Hitomi Shibata is a Japanese native ceramic artist based in Seagrove, North Carolina, USA and has studied Fine Art & Craft at Okayama University in Japan. She lived and worked as a potter in Shigaraki, an old pottery village in Japan, until a Rotary International scholarship brought her to the USA to study ceramics at the University of Massachusetts-Dartmouth. With her husband, she later moved to North Carolina to set up a permanent pottery studio and now build wood kilns together.

Hitomi has been artist-in-residence at Shigaraki Ceramic Cultural Park, Cub Creek Foundation for the Ceramic Arts, and North Carolina Pottery Center; organised workshops and lectured at Peters Valley School of Craft, Penland School of Crafts, and NCECA; won international ceramics competitions at Yingge Museum of Ceramics, Taiwan, and Yixing Teapot Competition, China; and is a member of the International Academy of Ceramics (IAC).

Details:

Wild Clay: Creating ceramics and glazes from natural and found resources

Product ID: U1789940923
Condition: New

AED19246

Price includes VAT & Import Duties
Type: Hardcover
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the United Arab Emirates will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

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Wild Clay: Creating ceramics and glazes from natural and found resources

Product ID: U1789940923
Condition: New
Wild Clay: Creating ceramics and glazes from natural and found resources-0
Type: Hardcover

AED19246

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the United Arab Emirates will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

The ultimate illustrated guide for sourcing, processing and using wild clay.

Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone – from novices, improvers and experts to educators and students – who wants to forge a closer bond between their art and their surroundings.

Testing and trial and error are key to finding a material's best use, so the authors' tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments.

Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay's characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.

Editorial Reviews

Review

“This beautifully illustrated guide is the ideal starting point for those wanting to forge a closer bond between their art and their natural surroundings.” ―Ceramics Now

“Finding your own clay-especially for use as a glaze material or to augment a commercial clay body-is increasingly popular and this book is a guide to finding, testing, and using wild clay.” ―
The Studio Manager

"A fascinating guide to finding your own clay and creating your own glazes. Billed as ideal starting point for novices, experts, and everyone in between, this is an excellent addition to the experienced ceramicist’s library, but also to those new to the art." -
Book Riot

About the Author

Matt Levy was raised in Flagstaff, Arizona, and educated in Wisconsin and Montana. He has a strong connection to the geology around him and the materials found within are a constant driving force in his practice. A Materialist at heart, Matt is motivated by what can be found in the soil beneath his feet and the rocks he finds in the landscape. He lives in St. Paul, Minnesota, with his wife and child, sourcing local clay from Lake Superior and Mississippi River Basin.

Takuro Shibata is a Japanese native ceramic artist based in Seagrove, North Carolina, USA, and has studied Engineering in Applied Chemistry at Doshisha University, Kyoto, Japan. Later, his interest in ceramics led him to become an apprentice at a local pottery studio in Shigaraki, Japan. After visiting the USA with his wife in 2001, many opportunities came up to join ceramic art programs and in 2005, they both moved to the Seagrove area after he had accepted the position of director at STARworks Ceramics.

Takuro has developed a national reputation as a ceramic artist and wild clay specialist. His own ceramic work, knowledge of ceramic materials and background story have all been prominently featured in the media and shared in many exhibitions, workshops, publications and ceramic conferences both nationally and internationally. He is a member of the International Academy of Ceramics (IAC).



Hitomi Shibata is a Japanese native ceramic artist based in Seagrove, North Carolina, USA and has studied Fine Art & Craft at Okayama University in Japan. She lived and worked as a potter in Shigaraki, an old pottery village in Japan, until a Rotary International scholarship brought her to the USA to study ceramics at the University of Massachusetts-Dartmouth. With her husband, she later moved to North Carolina to set up a permanent pottery studio and now build wood kilns together.

Hitomi has been artist-in-residence at Shigaraki Ceramic Cultural Park, Cub Creek Foundation for the Ceramic Arts, and North Carolina Pottery Center; organised workshops and lectured at Peters Valley School of Craft, Penland School of Crafts, and NCECA; won international ceramics competitions at Yingge Museum of Ceramics, Taiwan, and Yixing Teapot Competition, China; and is a member of the International Academy of Ceramics (IAC).

Details:

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