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My Children! My Africa!

Description:

Fugard's toughest and most moving political play. One of theatre's most affecting dissections of social upheaval.—Linda Winer, New York Newsday

Generational conflict over the most effective means for ending Apartheid in South Africa leads to an explosive confrontation between a gifted but impatient Black township youth and his devoted but old-fashioned Black teacher in this deeply felt and richly imagined drama. The unexpected involvement of a young white woman who befriends and learns from both men strips away the political trappings to reveal the human trauma at the heart of South Africa's tragedy.

Review:

5.0 out of 5 stars Get This Play

A.C. · December 26, 2016

Every theatre actor should read this play. A Hell of a piece. Athol Fugard is a master.

5.0 out of 5 stars Quick service

S.L.C. · August 22, 2016

The book arrived in excellent condition and it arrived on time as expected.

5.0 out of 5 stars It made me cry!

L.G. · September 29, 2000

My Children! My Africa! was the first book I've read ever to make me cry--so much towards the end that I had to put it down. It is the touching tale of a white South African girl who befriends a black South African boy and his teacher, amidst a time of strong racial tension. Their teacher helps them to learn that even though others may be at war, they still have the chance to pave the road to a new, better Africa. Fugard's best play ever!

4.0 out of 5 stars Powerful, but flawed, play

D.S. · November 12, 2008

"My Children! My Africa!" is a flawed, yet powerful play first performed in 1989 in South Africa. Fugard is a talented playwright, but his assumptions are somewhat off.The text centers around three characters set in "State of Emergency" 1984 South Africa. Isabel, a white, precocious Afrikaner; Thami, a black, independent African; and Mr. M, the teacher, caught in the middle of events not so out of their control. The story is somewhat about reconciliation and the power of education and discipline. Yet, things fall apart as Thami rebels in his mind against the Bantu education and the Western teachings (taught to him by his teacher Mr. M). In the end, all three pay the price for their friendship, but that is not the most of it.In all honesty, the play taken with a grain of salt is moving and I felt my chest tighten and my heart race as Fugard effortlessly moves the reader through this trying time. But upon reflection, problems begin to emerge.One is the assumptions are raised. Fugard is obviously anti-apartheid, but does the future of South Africa, as he was predicting in 1989, lay with those like Thami or those like Isabel. Thami, who begins to be swept away by the movements in Southern Africa (notably Angola, Zimbabwe and Mozambique) is given a negative aura by Fugard, as if he lets his emotions rule his better reasoning, exemplified by Mr. M. As one critic points out, Fugard, in the end, voices the beliefs of the white, middle class South Africa through characters like Isabel and Mr. M. The violence, which is "inevitably" what Thami will adopt, will only hurt South Africa's future after apartheid even more.The other is the historical inaccuracies. The book was written in 1989, but set in 1984. Fugard uses the play as a weather-vane and a crystal ball in which he attempts to predict the future by rewriting the past. He misrepresents 1980s South Africa and movements like the UDF, essential to the ending of racial hierarchy in 1994, by having Thami break off Isabel and his friendship because blacks and whites were not allowed to mix and be friends. Fugard also uses history, on which Thami builds his new found historical consciousness, to downplay the positive roles of social movements in South Africa. Then there is the story of Mr. M, which Fugard rips right from the newspapers (he even keeps his same name) yet is not given proper justice.The reason the play got 4 stars instead of 3 resides in Fugard's character, Thami. In my opinion, Thami transcends the near stranglehold that Fugard attempts to impose upon him. The events Fugard banked on us forgetting: Klipstown in 1955, Sharpsville in 1960, or Soweto in 1976. Don't follow Mr. M's bogus mantra of "correctly" reading or voting or seeing things - because more often than not, you're being misled in ways that cannot be seen. Instead, read with an open mind and let history guide you the rest of the way.

4.0 out of 5 stars Apartheid's Lethal Breath Exposed

A. · October 26, 2004

Here is a painful play about the hope of a country and it's people falling by the wayside under the mad rush of anger and rage and frustration.There are only three characters here: Mr. M, a black teacher in Brakwater, called "the location," the black town outside the white town of Camdeboo. Thami, also black, is a leading young student, and protege of Mr. M. And Isabel, a white girl Thami's age, who befriends both of them after an interschool debate.Together the three of them agree to prepare for a competition which may represent the best and brightest of a new generation of South Africans. One that is marked by a union between blacks and whites, in the spirit of education, knowledge and words. Such is the hope. But the hope ultimately gives way to the heart wrenching evil of apartheid as it cuts the three apart. Mr. M and Thami diverge about how to fight apartheid and Isabel struggles as her new friendships crack, and spirits wane.Painful. Spiritually uplifting, then crushing. Eye opening.

My Children! My Africa!

Product ID: U1559360143
Condition: New

4.4

AED5898

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

|

Order today to get by

Free delivery on orders over AED 200

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Imported From: United States

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More from this brand

Similar items from “African”

My Children! My Africa!

Product ID: U1559360143
Condition: New

4.4

Type: Paperback

AED5898

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by

Free delivery on orders over AED 200

Return and refund policies

Imported From: United States

At bolo.ae, we stand behind the authenticity and quality of every product we sell. We guarantee that all items offered on our website are 100% genuine, sourced directly from authorized distributors, trusted partners, or the original brands themselves.

We do not sell counterfeit, replica, or unauthorized goods. Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support . We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, including images, descriptions, and reviews, is provided by third-party vendors. bolo.ae is not responsible for any claims, promotions, or representations made within product content or images. For more accurate or detailed product information, please contact the manufacturer directly or reach out to Bolo Support.

Unless otherwise stated during checkout, all prices displayed on the product page include applicable taxes and import duties.

bolo.ae operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

Fugard's toughest and most moving political play. One of theatre's most affecting dissections of social upheaval.—Linda Winer, New York Newsday

Generational conflict over the most effective means for ending Apartheid in South Africa leads to an explosive confrontation between a gifted but impatient Black township youth and his devoted but old-fashioned Black teacher in this deeply felt and richly imagined drama. The unexpected involvement of a young white woman who befriends and learns from both men strips away the political trappings to reveal the human trauma at the heart of South Africa's tragedy.

Review:

5.0 out of 5 stars Get This Play

A.C. · December 26, 2016

Every theatre actor should read this play. A Hell of a piece. Athol Fugard is a master.

5.0 out of 5 stars Quick service

S.L.C. · August 22, 2016

The book arrived in excellent condition and it arrived on time as expected.

5.0 out of 5 stars It made me cry!

L.G. · September 29, 2000

My Children! My Africa! was the first book I've read ever to make me cry--so much towards the end that I had to put it down. It is the touching tale of a white South African girl who befriends a black South African boy and his teacher, amidst a time of strong racial tension. Their teacher helps them to learn that even though others may be at war, they still have the chance to pave the road to a new, better Africa. Fugard's best play ever!

4.0 out of 5 stars Powerful, but flawed, play

D.S. · November 12, 2008

"My Children! My Africa!" is a flawed, yet powerful play first performed in 1989 in South Africa. Fugard is a talented playwright, but his assumptions are somewhat off.The text centers around three characters set in "State of Emergency" 1984 South Africa. Isabel, a white, precocious Afrikaner; Thami, a black, independent African; and Mr. M, the teacher, caught in the middle of events not so out of their control. The story is somewhat about reconciliation and the power of education and discipline. Yet, things fall apart as Thami rebels in his mind against the Bantu education and the Western teachings (taught to him by his teacher Mr. M). In the end, all three pay the price for their friendship, but that is not the most of it.In all honesty, the play taken with a grain of salt is moving and I felt my chest tighten and my heart race as Fugard effortlessly moves the reader through this trying time. But upon reflection, problems begin to emerge.One is the assumptions are raised. Fugard is obviously anti-apartheid, but does the future of South Africa, as he was predicting in 1989, lay with those like Thami or those like Isabel. Thami, who begins to be swept away by the movements in Southern Africa (notably Angola, Zimbabwe and Mozambique) is given a negative aura by Fugard, as if he lets his emotions rule his better reasoning, exemplified by Mr. M. As one critic points out, Fugard, in the end, voices the beliefs of the white, middle class South Africa through characters like Isabel and Mr. M. The violence, which is "inevitably" what Thami will adopt, will only hurt South Africa's future after apartheid even more.The other is the historical inaccuracies. The book was written in 1989, but set in 1984. Fugard uses the play as a weather-vane and a crystal ball in which he attempts to predict the future by rewriting the past. He misrepresents 1980s South Africa and movements like the UDF, essential to the ending of racial hierarchy in 1994, by having Thami break off Isabel and his friendship because blacks and whites were not allowed to mix and be friends. Fugard also uses history, on which Thami builds his new found historical consciousness, to downplay the positive roles of social movements in South Africa. Then there is the story of Mr. M, which Fugard rips right from the newspapers (he even keeps his same name) yet is not given proper justice.The reason the play got 4 stars instead of 3 resides in Fugard's character, Thami. In my opinion, Thami transcends the near stranglehold that Fugard attempts to impose upon him. The events Fugard banked on us forgetting: Klipstown in 1955, Sharpsville in 1960, or Soweto in 1976. Don't follow Mr. M's bogus mantra of "correctly" reading or voting or seeing things - because more often than not, you're being misled in ways that cannot be seen. Instead, read with an open mind and let history guide you the rest of the way.

4.0 out of 5 stars Apartheid's Lethal Breath Exposed

A. · October 26, 2004

Here is a painful play about the hope of a country and it's people falling by the wayside under the mad rush of anger and rage and frustration.There are only three characters here: Mr. M, a black teacher in Brakwater, called "the location," the black town outside the white town of Camdeboo. Thami, also black, is a leading young student, and protege of Mr. M. And Isabel, a white girl Thami's age, who befriends both of them after an interschool debate.Together the three of them agree to prepare for a competition which may represent the best and brightest of a new generation of South Africans. One that is marked by a union between blacks and whites, in the spirit of education, knowledge and words. Such is the hope. But the hope ultimately gives way to the heart wrenching evil of apartheid as it cuts the three apart. Mr. M and Thami diverge about how to fight apartheid and Isabel struggles as her new friendships crack, and spirits wane.Painful. Spiritually uplifting, then crushing. Eye opening.

More from this brand

Similar items from “African”