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Batman: Year One Hundred

Description:

Visionary writer/artist Paul Pope presents a futuristic mystery of epic proportions set in a dark, dystopian world devoid of privacy and filled with government conspiracies, psychic police, holographic caller ID and absolutely no room for "secret identities."

In Gotham City, 2039, a federal agent is murdered and a contingent of Washington's top agents is hot on the suspect's trail. The Batman, a forgotten icon from the past, is wanted for the murder. Amid the chaos Gotham City Police Detective Gordon, grandson of the former commissioner, discovers that the man they are chasing shouldn't exist at all.


Editorial Reviews

About the Author

Paul Pope is an acclaimed, Eisner award-winning writer and artist whose works include THB, The One-Trick Ripoff, and, for DC Comics, Heavy Liquid and Batman: Year One Hundred.
His work is translated into a number of languages on three continents. He's one of a handful of young cartoonists to be consistently gaining critical praise and media attention, appearing on the Sci-Fi Channel, Much Music, and elsewhere. He's been in everything from Spin to A+F to Entertainment Weekly to Jalouse to V Magazine to The Village Voice. And he's the only American cartoonist to have worked for Japan's largest manga publisher for five-plus years.

Reviews:

5.0 out of 5 stars The Best Batman Print Production Since Frank Miller's "The Dark Knight"

A.N.O.N.Y.M.O.U.$.E. · June 7, 2007

I loved Paul Pope's take on "The Bat-Man of Gotham," and some of the things I loved about it are things that made other reviewers here unhappy: The story's loose ends, the distinctive art, the fact that this Batman doesn't look so much like other versions of Batman.The plot is slim yet convoluted, and the main conspiracy is kind of a yawn, but the subplots on the story's edges hold interest and -- most importantly -- the many action sequences are knockouts. The long section when Batman breaks into the police compound, which runs from the last section of part two and well into part three, is thrilling and suspenseful and gave me a giddy kick.The fact that it is never quite explained how Batman has been able to survive for 100 years is not as opaque as some reviewers suggest. If you read the book closely, there are suggestions: Is the Batman mantle passed down over time? Is there a supernatural element? Both of these possiblities are raised in subtle ways, but nothing is ever confirmed.Pope's artistic style falls somewhere between Will Eisner and Frank Miller, leaning slightly toward the former, and that's a classic place to be. It brings a gritty sense of place, of urban wasteland, though sometimes the perspectives are a bit jarring and what's being depicted is perhaps drawn a bit too close up.Loved the Batman costume. A section at the end of the book goes into detail of the design, and it makes so much more sense than the conventional version.Despite taking place in 2039, this Batman feels far more "real" than any other incarnation I've read. I can't say enough good things about it. I hope very much that DC gives Paul Pope another opportunity to tell this character's story.

5.0 out of 5 stars Somebody talk Pope into doing more Batman!

K.B. · July 10, 2007

Pope gives a fresh spin to the "reappearance" of Batman on 2039, 100 years after his first appearance. A lot of things aren't explained, giving us the feeling of walking right into the story, and that's cool. Some information is gathered through the on-going story, a murder mystery involving the police, but a lot is left to the reader. Pope's artwork is not slick and pretty. In fact, some people look downright ugly, and which ends up adding so much to the story. A great read!PS- Batman has fangs! Fangs!! How come no one ever thought of that before??

5.0 out of 5 stars An excellent iteration of a classic character

S.R. · February 20, 2018

An excellent iteration of a classic character. The art of Paul Pope is original and gritty. A truly great style and great counterpart to the story. It's set in a dreary future with new characters, some connected to old ones. I liked it a lot. If you are seeking a creative reimagining of the character then look no further. If you want the classic Batman in the Gotham you're familiar with then this is not for you.

5.0 out of 5 stars Fabulous Artwork

T.H. · January 27, 2008

Paul Pope really brings Batman alive in his depiction of Batman 100 years after his origin. Pope's artwork almost jumps off the page as he has a way of depicting a stunning sense of energy even in still shots with his ink brush. The feel is raw and gritty, just as Batman should be. In fact, you'll see about the coolest idea for the batmobile ever. The artwork isn't the only great thing about this graphic novel though. The story takes Batman back to his roots as a detective, which is how Batman should be portrayed--a man who also happens to be a hero. In this two-fisted story, Batman gets shot, chased by dogs and dragged through the mud as he is trying to get to the bottom of a mysterious exchange between federal agents and a known terrorist organization. If you're a real Batman fan, I definitely recommend that you give this a try.

5.0 out of 5 stars One of my favorite Batman stories ever

J.T. · July 6, 2014

One of my favorite Batman stories ever. In fact, this may be my favorite Batman character. Anonymous city, anonymous Batman. This Batman is a little more "real world" in his behavior, reflections, and interactions. This isn't the pretty boy, trust fund, "I miss my parents" Batman. Year One Hundred takes it more towards an "adult" Batman; grittier, etc. I wish this particular characterization of Batman could go on... but, alas, people want to see Batman driving expensive, military style super cars and planes modeled after space ships. You don't that crap here. What you get is a Batman that is a shadow in a world where everyone's ID is known. You get an "everyman" who fights a more underground battle against the establishment. This Batman would eat chicken legs and drink a beer before he sat down to have "Alfred" serve him lamb chops.

5.0 out of 5 stars Good read

B. · October 24, 2021

Quite different --- more raw power than fancy gadgets and smoke screens. A different take is always fun -- always interesting.

Good Weird.

b. · November 7, 2013

This book plays brilliantly with the Batman legend by weaving the changing styles, costumes, characters and key canon storylines into the fabric of its elseworlds Gotham. While the book is undoubtedly for the fans (and you will get the most out of it if you know a lot about the characters and can spot the references), the story is still compelling enough without these knowing winks. At its heart Year One Hundred is a great detective adventure story.While Paul Pope's artwork may not be everyone's cup of tea, personally I think his style is a perfect for Batman. It feels dangerous, weird and scary; exactly as Gotham should. Happy to recommend it.

Five Stars

a.c. · April 12, 2015

Wow and wow again!!!

What an artist!

T. · March 8, 2015

Pope is one of my favourite comic artist and this graphic novel is really amazing.The art is fantastic, each page a miracle for the eyes, but I'm not giving 5 stars because the story it's not as good as the drawings: a little bit superficial and sometimes less clear..

The Batman!!

A.C. · September 1, 2017

What DKSA should've been

Interessanter Ansatz, Chance teils verspielt

S.M. · February 21, 2014

Der Ansatz ist wirklich gut: Man nutzt Batman als Mythos, die Person hinter Batman ist nicht wichtig und wird nicht erläutert. Es ist unklar ob diese Person Bruce Wayne ist oder nicht. Daa Szenario ist ein zukünftiger Polizeistaat, welcher Batman aufgrund eines (von ihm nicht ausgeübten) Verbrechens jagt. Die Zeichnungen sind selstsam und gewöhnungsbedürftig, doch haben sie mir vor allem aufgrund dieses unkanonischen Batmanthemas zugesagt und waren meiner Meinung nach sehr passend. Vor allem der Start von Year 100 ist super gemacht, eine atemberaubende Verfolgungsjagd, in welcher der Mythos Batman sehr gut dargestellt wird. Leider geht es danach etwas abwärts, da diese spezielle Atmosphäre im Verlauf der Geschichte abnimmt. Es werden unnötigerweise Nebenfiguren eingeführt, welche diesen anfangs hervorragend inszenierten Mythos des "Batman" teilweise zerstören oder zumindest diesem Mythos schädigen. Dies ist natürlich eine sehr persönliche Meinung. Trotzdem, aufgrund der guten Idee, und aufgrund dessen, dass trotz jener erwähnten Probleme Year 100 aufgrund der originellen und spannenden Geschichte lesenswert ist, verdiente 4 Sterne.

Batman: Year One Hundred

Product ID: U1401211925
Condition: New

4.6

AED19524

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

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Batman: Year One Hundred

Product ID: U1401211925
Condition: New

4.6

Batman: Year One Hundred-0
Type: Paperback

AED19524

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

Visionary writer/artist Paul Pope presents a futuristic mystery of epic proportions set in a dark, dystopian world devoid of privacy and filled with government conspiracies, psychic police, holographic caller ID and absolutely no room for "secret identities."

In Gotham City, 2039, a federal agent is murdered and a contingent of Washington's top agents is hot on the suspect's trail. The Batman, a forgotten icon from the past, is wanted for the murder. Amid the chaos Gotham City Police Detective Gordon, grandson of the former commissioner, discovers that the man they are chasing shouldn't exist at all.


Editorial Reviews

About the Author

Paul Pope is an acclaimed, Eisner award-winning writer and artist whose works include THB, The One-Trick Ripoff, and, for DC Comics, Heavy Liquid and Batman: Year One Hundred.
His work is translated into a number of languages on three continents. He's one of a handful of young cartoonists to be consistently gaining critical praise and media attention, appearing on the Sci-Fi Channel, Much Music, and elsewhere. He's been in everything from Spin to A+F to Entertainment Weekly to Jalouse to V Magazine to The Village Voice. And he's the only American cartoonist to have worked for Japan's largest manga publisher for five-plus years.

Reviews:

5.0 out of 5 stars The Best Batman Print Production Since Frank Miller's "The Dark Knight"

A.N.O.N.Y.M.O.U.$.E. · June 7, 2007

I loved Paul Pope's take on "The Bat-Man of Gotham," and some of the things I loved about it are things that made other reviewers here unhappy: The story's loose ends, the distinctive art, the fact that this Batman doesn't look so much like other versions of Batman.The plot is slim yet convoluted, and the main conspiracy is kind of a yawn, but the subplots on the story's edges hold interest and -- most importantly -- the many action sequences are knockouts. The long section when Batman breaks into the police compound, which runs from the last section of part two and well into part three, is thrilling and suspenseful and gave me a giddy kick.The fact that it is never quite explained how Batman has been able to survive for 100 years is not as opaque as some reviewers suggest. If you read the book closely, there are suggestions: Is the Batman mantle passed down over time? Is there a supernatural element? Both of these possiblities are raised in subtle ways, but nothing is ever confirmed.Pope's artistic style falls somewhere between Will Eisner and Frank Miller, leaning slightly toward the former, and that's a classic place to be. It brings a gritty sense of place, of urban wasteland, though sometimes the perspectives are a bit jarring and what's being depicted is perhaps drawn a bit too close up.Loved the Batman costume. A section at the end of the book goes into detail of the design, and it makes so much more sense than the conventional version.Despite taking place in 2039, this Batman feels far more "real" than any other incarnation I've read. I can't say enough good things about it. I hope very much that DC gives Paul Pope another opportunity to tell this character's story.

5.0 out of 5 stars Somebody talk Pope into doing more Batman!

K.B. · July 10, 2007

Pope gives a fresh spin to the "reappearance" of Batman on 2039, 100 years after his first appearance. A lot of things aren't explained, giving us the feeling of walking right into the story, and that's cool. Some information is gathered through the on-going story, a murder mystery involving the police, but a lot is left to the reader. Pope's artwork is not slick and pretty. In fact, some people look downright ugly, and which ends up adding so much to the story. A great read!PS- Batman has fangs! Fangs!! How come no one ever thought of that before??

5.0 out of 5 stars An excellent iteration of a classic character

S.R. · February 20, 2018

An excellent iteration of a classic character. The art of Paul Pope is original and gritty. A truly great style and great counterpart to the story. It's set in a dreary future with new characters, some connected to old ones. I liked it a lot. If you are seeking a creative reimagining of the character then look no further. If you want the classic Batman in the Gotham you're familiar with then this is not for you.

5.0 out of 5 stars Fabulous Artwork

T.H. · January 27, 2008

Paul Pope really brings Batman alive in his depiction of Batman 100 years after his origin. Pope's artwork almost jumps off the page as he has a way of depicting a stunning sense of energy even in still shots with his ink brush. The feel is raw and gritty, just as Batman should be. In fact, you'll see about the coolest idea for the batmobile ever. The artwork isn't the only great thing about this graphic novel though. The story takes Batman back to his roots as a detective, which is how Batman should be portrayed--a man who also happens to be a hero. In this two-fisted story, Batman gets shot, chased by dogs and dragged through the mud as he is trying to get to the bottom of a mysterious exchange between federal agents and a known terrorist organization. If you're a real Batman fan, I definitely recommend that you give this a try.

5.0 out of 5 stars One of my favorite Batman stories ever

J.T. · July 6, 2014

One of my favorite Batman stories ever. In fact, this may be my favorite Batman character. Anonymous city, anonymous Batman. This Batman is a little more "real world" in his behavior, reflections, and interactions. This isn't the pretty boy, trust fund, "I miss my parents" Batman. Year One Hundred takes it more towards an "adult" Batman; grittier, etc. I wish this particular characterization of Batman could go on... but, alas, people want to see Batman driving expensive, military style super cars and planes modeled after space ships. You don't that crap here. What you get is a Batman that is a shadow in a world where everyone's ID is known. You get an "everyman" who fights a more underground battle against the establishment. This Batman would eat chicken legs and drink a beer before he sat down to have "Alfred" serve him lamb chops.

5.0 out of 5 stars Good read

B. · October 24, 2021

Quite different --- more raw power than fancy gadgets and smoke screens. A different take is always fun -- always interesting.

Good Weird.

b. · November 7, 2013

This book plays brilliantly with the Batman legend by weaving the changing styles, costumes, characters and key canon storylines into the fabric of its elseworlds Gotham. While the book is undoubtedly for the fans (and you will get the most out of it if you know a lot about the characters and can spot the references), the story is still compelling enough without these knowing winks. At its heart Year One Hundred is a great detective adventure story.While Paul Pope's artwork may not be everyone's cup of tea, personally I think his style is a perfect for Batman. It feels dangerous, weird and scary; exactly as Gotham should. Happy to recommend it.

Five Stars

a.c. · April 12, 2015

Wow and wow again!!!

What an artist!

T. · March 8, 2015

Pope is one of my favourite comic artist and this graphic novel is really amazing.The art is fantastic, each page a miracle for the eyes, but I'm not giving 5 stars because the story it's not as good as the drawings: a little bit superficial and sometimes less clear..

The Batman!!

A.C. · September 1, 2017

What DKSA should've been

Interessanter Ansatz, Chance teils verspielt

S.M. · February 21, 2014

Der Ansatz ist wirklich gut: Man nutzt Batman als Mythos, die Person hinter Batman ist nicht wichtig und wird nicht erläutert. Es ist unklar ob diese Person Bruce Wayne ist oder nicht. Daa Szenario ist ein zukünftiger Polizeistaat, welcher Batman aufgrund eines (von ihm nicht ausgeübten) Verbrechens jagt. Die Zeichnungen sind selstsam und gewöhnungsbedürftig, doch haben sie mir vor allem aufgrund dieses unkanonischen Batmanthemas zugesagt und waren meiner Meinung nach sehr passend. Vor allem der Start von Year 100 ist super gemacht, eine atemberaubende Verfolgungsjagd, in welcher der Mythos Batman sehr gut dargestellt wird. Leider geht es danach etwas abwärts, da diese spezielle Atmosphäre im Verlauf der Geschichte abnimmt. Es werden unnötigerweise Nebenfiguren eingeführt, welche diesen anfangs hervorragend inszenierten Mythos des "Batman" teilweise zerstören oder zumindest diesem Mythos schädigen. Dies ist natürlich eine sehr persönliche Meinung. Trotzdem, aufgrund der guten Idee, und aufgrund dessen, dass trotz jener erwähnten Probleme Year 100 aufgrund der originellen und spannenden Geschichte lesenswert ist, verdiente 4 Sterne.

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