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Hitler: Downfall: 1939-1945

Description:

A riveting account of the dictator’s final years, when he got the war he wanted but led his nation, the world, and himself to catastrophe—from the author of Hitler: Ascent

“Skillfully conceived and utterly engrossing.” —The New York Times Book Review

In the summer of 1939, Hitler was at the zenith of his power. Having consolidated political control in Germany, he was at the helm of a newly restored major world power, and now perfectly positioned to realize his lifelong ambition: to help the German people flourish and to exterminate those who stood in the way. Beginning a war allowed Hitler to take his ideological obsessions to unthinkable extremes, including the mass genocide of millions, which was conducted not only with the aid of the SS, but with the full knowledge of German leadership. Yet despite a series of stunning initial triumphs, Hitler’s fateful decision to invade the Soviet Union in 1941 turned the tide of the war in favor of the Allies.

Now, Volker Ullrich, author of
Hitler: Ascent 1889–1939, offers fascinating new insight into Hitler’s character and personality. He vividly portrays the insecurity, obsession with minutiae, and narcissistic penchant for gambling that led Hitler to overrule his subordinates and then blame them for his failures. When he ultimately realized the war was not winnable, Hitler embarked on the annihilation of Germany itself in order to punish the people who he believed had failed to hand him victory. A masterful and riveting account of a spectacular downfall, Ullrich’s rendering of Hitler’s final years is an essential addition to our understanding of the dictator and the course of the Second World War.


Review

A Time Top Ten Nonfiction Book of the Year • An AirMail Best Book of the Year

“The impulsiveness and grandiosity, the bullying and vulgarity, were obvious from the beginning; if anything, they accounted for Adolf Hitler’s anti-establishment appeal. . . . Ullrich argues that the very qualities that accounted for the dictator’s astonishing rise were also what brought about his ultimate ruin.”
⁠—New York Times

“Ullrich’s work is much more than just a biography. It is a work of synthesis, certainly, but a thorough and thoroughly readable one nonetheless, which stands muster alongside Hitler’s most significant earlier biographers: Bullock, Toland, Fest and Kershaw. Elegantly written, engaging and insightful, [
Hitler] is a new standard work on its subject.” —BBC History

“The reader who plunges in is rewarded with insight, understanding, fine judgements and read-me narrative drive. [Ullrich’s] biography of Hitler makes essential reading . . . deeply researched, beautifully written and finely judged.” —
Daily Mail

“Smoothly written and splendidly translated, Ullrich’s book gives us a Hitler we have not seen before, at once cold-blooded and idealistic, chillingly narcissistic and cloyingly sentimental. . . . Probably the most disturbing portrait of Hitler I have ever read.” —
The Sunday Times

“Ullrich’s work is a remarkable treatise on the malevolence of power in modern times. Take care, lest we fall into the trap of autocracy.” —New York Journal of Books

"Magisterial. . . . Lucidly formulated for a new generation of readers and scholars."
⁠—Library Journal

“An endlessly revealing look at the Nazi regime that touches on large issues and small details alike.”
—Kirkus (starred)

About the Author

VOLKER ULLRICH is a historian and journalist whose previous books in German include biographies of Bismarck and Napoleon, as well as a major study of Imperial Germany, Die nervöse Grossmacht 1871–1918 (The Nervous Superpower). From 1990 to 2009, Ullrich was the editor of the political book review section of the influential weekly newspaper Die Zeit.

Excerpt. © Reprinted by permission. All rights reserved.

HITLER by Volker Ullrich
 
“Hitler As Human Being”
 
Excerpt (pgs. 382-386)
As a rule, people who got a close look at the Führer for the first time were rarely impressed. After a meeting with Hitler in December 1931, the industrialist Günther Quandt deemed him the very definition of average. Sefton Delmer described him as an everyday person remi­niscent of a travelling salesman or a junior officer. As we saw, the American reporter Dorothy Thompson called Hitler the exact proto­type of the little man on the street. William Shirer, the correspondent for America’s Universal News Service, also came away disappointed after seeing Hitler in September 1934 at the Nuremberg rally. “His face,” Shirer wrote in his diary, “had no particular expression at all—I expected it to be stronger—and for the life of me I could not quite comprehend what hidden springs he undoubtedly unloosened in the hysterical mob which was greeting him so wildly.” 

Hitler’s appearance was hardly winning. Finance Minister von Krosigk, who met Hitler for the first time when the new chancellor was sworn in on 30 January 1933, recalled the Führer’s face as being unremarkable. “There was nothing harmonious about his features, nor did they have the irregularity that expresses individual human spirit,” Krosigk wrote. “A lock of hair that flopped down over his forehead and the rudiments of a moustache only two fingers wide gave his appearance something comic.”  Hitler’s moustache was the feature that everyone noticed. Early on, Hanfstaengl had urged him to shave it off, arguing that it was fodder for caricaturists. “My moustache will be all the rage one day—you can bet on that,” Hitler replied. Around 1925 or 1926 he told Adelheid Klein, a friend in Munich: “Imagine my face without the moustache! . . . My nose is much too big. I have to soften it with the moustache!”  Indeed, Hitler’s large, fleshy nose was rather disproportionate to the rest of his face. Klaus Mann called it the “most foul and most charac­teristic” aspect of Hitler’s physiognomy.  For his part Albert Speer claimed that he only noticed how ugly and disproportionate Hitler’s face was in the final months of the Third Reich, when the Führer’s appeal was declining. “How did I not notice that in all the years?” he wondered in his Spandau prison cell in late November 1946. “Curious!” 

Almost everyone who came into contact with Hitler was struck by another feature. Upon seeing the young Hitler for the first time in 1919, Karl Alexander von Müller immediately noted his “large, light-blue, fanatically and coldly gleaming eyes.”  Lieselotte Schmidt, an assistant and nanny to Winifred Wagner, had a different impression. Like her mistress, she admired Hitler and found that his eyes shone with goodness and warmth. “One glance from his lovely violet-blue eyes was enough to sense his gentle temperament and good heart,” Schmidt said in 1929. Otto Wagener, the economic adviser who entered Hitler’s service that same year and still professed his admiration of the Führer in a British POW camp in 1946, recalled:

From the first moment, his eyes captivated me. They were clear and large and calm. He stared at me full of self-confidence. But his gaze did not come from his eyeballs. On the contrary, I felt it came from somewhere far deeper, from infinity. You could read nothing in his eyes. But they spoke and wanted to say something. 

Christa Schroeder, one of Hitler’s secretaries from 1933 onwards, was somewhat more sober: “I found Hitler’s eyes very expressive. They looked interested and probing and always became more animated whenever he spoke.”  The playwright Gerhart Hauptmann also noted Hitler’s “strange and lovely eyes” after meeting the Führer at the inauguration of the Reich Culture Chamber in November 1933. 

Whether people perceived Hitler’s gaze as cold or benevolent, impenetrable or friendly and inquisitive depended both on the given situation and their political views. “What admirers praise as the power of his eyes strikes neutral observers as a greedy stare without that hint of decency that makes a gaze truly compelling,” wrote the Hitler detractor Konrad Heiden. “His gaze repels more than it captivates.” 

But even critical observers sometimes praised his eyes. “Hitler’s eyes were startling and unforgettable,” wrote Martha Dodd, the daughter of the U.S. ambassador to Germany, William Edward Dodd, after being introduced to Hitler by Hanfstaengl in 1933. “They seemed pale blue in colour, were intense, unwavering, hypnotic.” 

Alongside his eyes, Hitler’s hands attracted the most attention. “So expressive in their movements as to compete with the eyes” was how Houston Stewart Chamberlain put it in a fawning letter to Hitler in 1923. For Krosigk, Hitler’s hands were nervous, delicate and “almost feminine.” In 1933, when the philosopher Karl Jaspers voiced doubts as to whether someone as uneducated as Hitler could lead Germany, his colleague Martin Heidegger replied: “Education is irrelevant . . . just look at those lovely hands.” Many of Heidegger’s contemporaries shared his admiration for the Führer’s hands. In an article for the December 1936 edition of
New Literature, the head of German radio characterised Hitler’s delicate hands as being the tools of an “artist and great creator.” And in October 1942, while imprisoned in a British POW camp, General Ludwig Crüwell opined: “His hands are truly striking—lovely hands . . . He’s got the hands of an artist. My eyes were always drawn to his hands.” 
 
But more impressive than his eyes and hands was Hitler’s talent for speaking. His appearance may have made him seem average and everyday, but as soon as he took to the stage, he was transformed into a demagogue the likes of which Germany had never known. Admirers and detractors were in absolute agreement on this point. In his essay “Brother Hitler,” Thomas Mann attributed Hitler’s rise to his “eloquence, which although unspeakably base, has huge sway over the masses.”  Heiden wrote of “an incomparable barometer of mass moods,” while Otto Strasser spoke of an “unusually sensitive seismograph of the soul.” Strasser also compared Hitler to a “membrane” broadcasting the most secret longings and emotions of the masses.  Krosigk concurred. “He sensed what the masses were longing for and translated it into firebrand slogans,” the Reich finance minister wrote. “He appealed to the instincts slumbering in people’s unconsciousness and offered something to everyone.”  The American journalist Hubert R. Knickerbocker, who had encountered Hitler as a seemingly polite, small-time politician in the NSDAP’s Munich headquarters in 1931, was astonished by a public appearance that same evening. “He was an evangelist speaking at a tent meeting, the Billy Sunday of German politics,” the Pulitzer Prize winner wrote. “Those he had converted followed him, laughed with him, felt with him. Together they mocked the French. Together they hissed off the Republic. Eight thousand people became one instrument on which Hitler played his symphony of national passion.” As Knickerbocker realised, the secret to Hitler’s success lay in the mutual identification between speaker and audience—in the exchange of indi­vidual and collective sensitivities and neuroses.

It was not only the faithful whom Hitler managed to put under his spell. “There won’t be anyone like him for quite some time,” Rudolf Hess wrote in 1924 while imprisoned in Landsberg, “a man who can sweep away both the most left-wing lathe operator and the right-wing government official in a single mass event.” Hess’s view was no exag­geration. Numerous contemporaries who rejected Hitler and his party struggled to resist the lure of Hitler’s overwhelming rhetoric—indeed, some succumbed to it. In his memoirs, the historian Golo Mann described the impression a Hitler speech made on him as a 19-year-old student in the autumn of 1928. “I had to steel myself against the energy and persuasive force of the speaker,” Mann wrote. “A Jewish friend of mine, whom I had brought along, was unable to resist. ‘He’s right,’ he whispered in my ear. How many times had I heard this phrase ‘He’s right’ uttered by listeners from whom I would have least expected it?” 

Hitler’s talent for persuasive oration gave him a hypnotic sway over crowds. Part of his secret was his unusually powerful and variable voice. “Those who only know Hitler from the events of later years, after he had mutated into an immoderately thundering dictator and demagogue at the microphone, have no idea what a flexible and mellif­luous instrument his natural, non-amplified voice was in the early years of his political career,” noted Hanfstaengl. It was Hitler’s voice, at a speech in Weimar in March 1925, that won over Baldur von Schirach, later the Nazis’ Reich youth leader, at the age of 18. “It was a voice unlike any other I had heard from a public speaker,” Schirach recalled. “It was deep and rough, resonant as a cello. His accent, which we thought was Austrian but was actually Lower Bavarian, was alien to central Germany and compelled you to listen.”  he called himself the greatest actor in Europe,” Krosigk recalled. That statement was one of the excessive flights of fancy to which the dictator became increasingly prone in his later years. Nonetheless, Hitler had an undeniable ability to don different masks to suit various occasions and to inhabit changing roles. “He could be a charming conversation partner who kissed women’s hands, a friendly uncle who gave children chocolate, or a man of the people who could shake the callused hands of farmers and artisans,” remarked Albert Krebs, the Gauleiter of Hamburg. When invited to the Bechstein and Bruckmann salons or to afternoon tea at the Schirachs’ in Weimar, he would play the upstanding, suit-and-tie-wearing bourgeois to fit in with such social settings. At NSDAP party conferences, he dressed in a brown shirt and cast himself as a prototypical street fighter who made no secret of his contempt for polite society.

Hitler adapted his speeches to people’s expectations. In front of the Reichstag, he talked like a wise statesman. When he spoke to a circle of industrialists he was a man of moderation. To women he was the good-humoured father who loved children, while in front of large crowds he was a fiery volcano. To his fellow party members he was the truest and bravest soldier who sacrificed himself and was therefore allowed to demand sacrifices of others. André François-Poncet, who witnessed Hitler’s various appearances at the Nuremberg rally in 1935, was impressed by the Führer’s ability to intuit the mood of each given audience. “He found the words and tone he needed for all of them,” the French ambassador remarked. “He ran the gamut from biting to melodramatic to intimate and lordly.” The man who succeeded François-Poncet in 1938, Robert Coulondre, was also surprised by the man he met at the Berghof retreat when he presented his letter of credence in November. “I was expecting a thundering Jove in his castle and what I got was a simple, gentle, possibly shy man in his country home,” Coulondre reported. “I had heard the rough, screaming, threatening and demanding voice of the Führer on the radio. Now I became acquainted with a Hitler who had a warm, calm, friendly and understanding voice. Which one is the true Hitler? Or are they both true?”

Reviews:

Hitler: from the pinnacle of victory to the depths of defeat

R.H.C. · May 2, 2021

This is the second volume of the author's well-received bio of the German dictator, covering 1939 until his suicide in 1945. While the general lines of these years are well known and picked over by other historians, there are some unique factors here which add to the book's insights and value. For example, why was Hitler so successful even in his early military and diplomatic leadership? I think the answer is his psychological insights into opponents--such as the British and French--enabled him to know when to take risks and when to be more conservative. Moreover, his early western European victories intimidated military leaders who might have otherwise resisted his tactical control. But his judgment could also be impaired, such as his belief that the Americans could not make much of a difference and that the Russians could be easily subjugated.The author is quite skillful in probing how Hitler made key decisions and whom he relied upon for guidance. Goebbels once again assumes a major role here; his perceptive advice and skillful propagandizing really strengthened Hitler's hand. The author relies upon sources that have well established their insights: William Shirer, Victor Klemperer, and Goebbels' diaries. But he is also very effective as locating key documents that add insight. He spends a lot of space on the invasion of Russia and the resulting disasters--the most complete discussion I have seen. So too with Stalingrad,When Russia turns the tide, nonetheless Hitler forges ahead even though the author demonstrates he knew the war was lost. Life at the Berghof went on and the military leadership continued his support, even though the author does an insightful job on the July 1944 assassination conspiracy. We often ask how much the German population knew about the death camps; the author concludes they did not want to know about them and sheltered themselves. Though formidable, the Bulge was a hopeless effort.The author has added a most instructive essay "Hitler's Place in History." The book runs about 640 pages with 147 pages of notes attesting to his impressive research. Unlike many translated books on Hitler, many of these notes are in English. There is also a 20 page bibliography, many titles in English, extensive maps, and an exhaustive index. Although the author is a German historian, his analysis of even the most horrible dimensions of Nazism is coldly analytical and without emotion. Hitler is an old story at this stage, but the author's crisp insights and skilled writing makes this well worth reading nonetheless.

Fantastic and Engrossing Book!!!

M.M. · December 3, 2024

This book and volume 1 also, I simply could not put down! It is the best and most engaging of any Hitler biography to date. This is not dry historical writing - the author pulls you in and like a roller coaster takes you on a horrific experience following the life of a true psychopath. Like a Shakespearean okay this tragedy plays out before us as we witness millions suffer and die due to Hitler’s capture of Germany. Like a runaway train this disaster can be viewed through Hitler’s pride and crazy military decisions. The writing is excellent and all the horrible events are played out to us. Everything went well for Hitler until June 22,1941 and Operation Barbarossa - then the fall was inevitable. This is such a good book, and reminds me of my favorite biographer Ron Chernow. Get volume 1 and read both they are truly awesome!

Changed from a four star to a five star

W.H. · October 1, 2020

I was hoping that Ullrich would provide readers with an indepth account of Hitler as a wartime leader, e.g. how he influenced strategy, prioritized resources, and directed/influenced operations on all battle fronts. That is not what this book talks about.The author devotes a disproportionate amount of coverage to Hitler's murderous obsession with the Jewish community in Europe as well as the Eastern Front. Readers looking for in-depth coverage of other topics will be hard pressed to find what THEY are seeking.As I continued to read this book, I got the impression that Ullrich does not feel that other books published over past decades tell the full story of Hitler's depravity or the utter evil of the Nazi system. Ullrich takes that theme one step further by making it a point to disprove the long-held belief that the Wehrmacht fought a clean war without knowledge or tacit support of the misdeeds accomplished by Hitler's henchmen. That is all well and good, but by focusing on those analytical threads he leaves out a lot of strategically relevant material. Not a fatal flaw, but one that readers interested in that aspect should be aware of.Then I reached the section discussing Stalingrad and the events that came afterward. This is where I thought the author began offering amazing and new revelations (not a Hitler guy so the new stuff was new to me). I was fascinated with details on how the Nazi elite conspired against each other for more personal and bureaucratic power. I have read that occurred in a lot of other books, but never had it explained in such detail. I felt the author's account of the 20 July 1944 bomb plot/coup was unparalleled and also was very impressed by the narrative dealing with the last days of the regime.This is a groundbreaking book worthy of a wide readership. But it may not satisfy those interested in more details on Hitler's conduct of military campaigns. Recommended with that caveat.

Hitler: Downfall: 1939-1945

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Hitler: Downfall: 1939-1945

Product ID: U1101872063
Condition: New

4.8

Hitler: Downfall: 1939-1945-0
Type: Paperback

AED22574

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

This item qualifies for free delivery

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

A riveting account of the dictator’s final years, when he got the war he wanted but led his nation, the world, and himself to catastrophe—from the author of Hitler: Ascent

“Skillfully conceived and utterly engrossing.” —The New York Times Book Review

In the summer of 1939, Hitler was at the zenith of his power. Having consolidated political control in Germany, he was at the helm of a newly restored major world power, and now perfectly positioned to realize his lifelong ambition: to help the German people flourish and to exterminate those who stood in the way. Beginning a war allowed Hitler to take his ideological obsessions to unthinkable extremes, including the mass genocide of millions, which was conducted not only with the aid of the SS, but with the full knowledge of German leadership. Yet despite a series of stunning initial triumphs, Hitler’s fateful decision to invade the Soviet Union in 1941 turned the tide of the war in favor of the Allies.

Now, Volker Ullrich, author of
Hitler: Ascent 1889–1939, offers fascinating new insight into Hitler’s character and personality. He vividly portrays the insecurity, obsession with minutiae, and narcissistic penchant for gambling that led Hitler to overrule his subordinates and then blame them for his failures. When he ultimately realized the war was not winnable, Hitler embarked on the annihilation of Germany itself in order to punish the people who he believed had failed to hand him victory. A masterful and riveting account of a spectacular downfall, Ullrich’s rendering of Hitler’s final years is an essential addition to our understanding of the dictator and the course of the Second World War.


Review

A Time Top Ten Nonfiction Book of the Year • An AirMail Best Book of the Year

“The impulsiveness and grandiosity, the bullying and vulgarity, were obvious from the beginning; if anything, they accounted for Adolf Hitler’s anti-establishment appeal. . . . Ullrich argues that the very qualities that accounted for the dictator’s astonishing rise were also what brought about his ultimate ruin.”
⁠—New York Times

“Ullrich’s work is much more than just a biography. It is a work of synthesis, certainly, but a thorough and thoroughly readable one nonetheless, which stands muster alongside Hitler’s most significant earlier biographers: Bullock, Toland, Fest and Kershaw. Elegantly written, engaging and insightful, [
Hitler] is a new standard work on its subject.” —BBC History

“The reader who plunges in is rewarded with insight, understanding, fine judgements and read-me narrative drive. [Ullrich’s] biography of Hitler makes essential reading . . . deeply researched, beautifully written and finely judged.” —
Daily Mail

“Smoothly written and splendidly translated, Ullrich’s book gives us a Hitler we have not seen before, at once cold-blooded and idealistic, chillingly narcissistic and cloyingly sentimental. . . . Probably the most disturbing portrait of Hitler I have ever read.” —
The Sunday Times

“Ullrich’s work is a remarkable treatise on the malevolence of power in modern times. Take care, lest we fall into the trap of autocracy.” —New York Journal of Books

"Magisterial. . . . Lucidly formulated for a new generation of readers and scholars."
⁠—Library Journal

“An endlessly revealing look at the Nazi regime that touches on large issues and small details alike.”
—Kirkus (starred)

About the Author

VOLKER ULLRICH is a historian and journalist whose previous books in German include biographies of Bismarck and Napoleon, as well as a major study of Imperial Germany, Die nervöse Grossmacht 1871–1918 (The Nervous Superpower). From 1990 to 2009, Ullrich was the editor of the political book review section of the influential weekly newspaper Die Zeit.

Excerpt. © Reprinted by permission. All rights reserved.

HITLER by Volker Ullrich
 
“Hitler As Human Being”
 
Excerpt (pgs. 382-386)
As a rule, people who got a close look at the Führer for the first time were rarely impressed. After a meeting with Hitler in December 1931, the industrialist Günther Quandt deemed him the very definition of average. Sefton Delmer described him as an everyday person remi­niscent of a travelling salesman or a junior officer. As we saw, the American reporter Dorothy Thompson called Hitler the exact proto­type of the little man on the street. William Shirer, the correspondent for America’s Universal News Service, also came away disappointed after seeing Hitler in September 1934 at the Nuremberg rally. “His face,” Shirer wrote in his diary, “had no particular expression at all—I expected it to be stronger—and for the life of me I could not quite comprehend what hidden springs he undoubtedly unloosened in the hysterical mob which was greeting him so wildly.” 

Hitler’s appearance was hardly winning. Finance Minister von Krosigk, who met Hitler for the first time when the new chancellor was sworn in on 30 January 1933, recalled the Führer’s face as being unremarkable. “There was nothing harmonious about his features, nor did they have the irregularity that expresses individual human spirit,” Krosigk wrote. “A lock of hair that flopped down over his forehead and the rudiments of a moustache only two fingers wide gave his appearance something comic.”  Hitler’s moustache was the feature that everyone noticed. Early on, Hanfstaengl had urged him to shave it off, arguing that it was fodder for caricaturists. “My moustache will be all the rage one day—you can bet on that,” Hitler replied. Around 1925 or 1926 he told Adelheid Klein, a friend in Munich: “Imagine my face without the moustache! . . . My nose is much too big. I have to soften it with the moustache!”  Indeed, Hitler’s large, fleshy nose was rather disproportionate to the rest of his face. Klaus Mann called it the “most foul and most charac­teristic” aspect of Hitler’s physiognomy.  For his part Albert Speer claimed that he only noticed how ugly and disproportionate Hitler’s face was in the final months of the Third Reich, when the Führer’s appeal was declining. “How did I not notice that in all the years?” he wondered in his Spandau prison cell in late November 1946. “Curious!” 

Almost everyone who came into contact with Hitler was struck by another feature. Upon seeing the young Hitler for the first time in 1919, Karl Alexander von Müller immediately noted his “large, light-blue, fanatically and coldly gleaming eyes.”  Lieselotte Schmidt, an assistant and nanny to Winifred Wagner, had a different impression. Like her mistress, she admired Hitler and found that his eyes shone with goodness and warmth. “One glance from his lovely violet-blue eyes was enough to sense his gentle temperament and good heart,” Schmidt said in 1929. Otto Wagener, the economic adviser who entered Hitler’s service that same year and still professed his admiration of the Führer in a British POW camp in 1946, recalled:

From the first moment, his eyes captivated me. They were clear and large and calm. He stared at me full of self-confidence. But his gaze did not come from his eyeballs. On the contrary, I felt it came from somewhere far deeper, from infinity. You could read nothing in his eyes. But they spoke and wanted to say something. 

Christa Schroeder, one of Hitler’s secretaries from 1933 onwards, was somewhat more sober: “I found Hitler’s eyes very expressive. They looked interested and probing and always became more animated whenever he spoke.”  The playwright Gerhart Hauptmann also noted Hitler’s “strange and lovely eyes” after meeting the Führer at the inauguration of the Reich Culture Chamber in November 1933. 

Whether people perceived Hitler’s gaze as cold or benevolent, impenetrable or friendly and inquisitive depended both on the given situation and their political views. “What admirers praise as the power of his eyes strikes neutral observers as a greedy stare without that hint of decency that makes a gaze truly compelling,” wrote the Hitler detractor Konrad Heiden. “His gaze repels more than it captivates.” 

But even critical observers sometimes praised his eyes. “Hitler’s eyes were startling and unforgettable,” wrote Martha Dodd, the daughter of the U.S. ambassador to Germany, William Edward Dodd, after being introduced to Hitler by Hanfstaengl in 1933. “They seemed pale blue in colour, were intense, unwavering, hypnotic.” 

Alongside his eyes, Hitler’s hands attracted the most attention. “So expressive in their movements as to compete with the eyes” was how Houston Stewart Chamberlain put it in a fawning letter to Hitler in 1923. For Krosigk, Hitler’s hands were nervous, delicate and “almost feminine.” In 1933, when the philosopher Karl Jaspers voiced doubts as to whether someone as uneducated as Hitler could lead Germany, his colleague Martin Heidegger replied: “Education is irrelevant . . . just look at those lovely hands.” Many of Heidegger’s contemporaries shared his admiration for the Führer’s hands. In an article for the December 1936 edition of
New Literature, the head of German radio characterised Hitler’s delicate hands as being the tools of an “artist and great creator.” And in October 1942, while imprisoned in a British POW camp, General Ludwig Crüwell opined: “His hands are truly striking—lovely hands . . . He’s got the hands of an artist. My eyes were always drawn to his hands.” 
 
But more impressive than his eyes and hands was Hitler’s talent for speaking. His appearance may have made him seem average and everyday, but as soon as he took to the stage, he was transformed into a demagogue the likes of which Germany had never known. Admirers and detractors were in absolute agreement on this point. In his essay “Brother Hitler,” Thomas Mann attributed Hitler’s rise to his “eloquence, which although unspeakably base, has huge sway over the masses.”  Heiden wrote of “an incomparable barometer of mass moods,” while Otto Strasser spoke of an “unusually sensitive seismograph of the soul.” Strasser also compared Hitler to a “membrane” broadcasting the most secret longings and emotions of the masses.  Krosigk concurred. “He sensed what the masses were longing for and translated it into firebrand slogans,” the Reich finance minister wrote. “He appealed to the instincts slumbering in people’s unconsciousness and offered something to everyone.”  The American journalist Hubert R. Knickerbocker, who had encountered Hitler as a seemingly polite, small-time politician in the NSDAP’s Munich headquarters in 1931, was astonished by a public appearance that same evening. “He was an evangelist speaking at a tent meeting, the Billy Sunday of German politics,” the Pulitzer Prize winner wrote. “Those he had converted followed him, laughed with him, felt with him. Together they mocked the French. Together they hissed off the Republic. Eight thousand people became one instrument on which Hitler played his symphony of national passion.” As Knickerbocker realised, the secret to Hitler’s success lay in the mutual identification between speaker and audience—in the exchange of indi­vidual and collective sensitivities and neuroses.

It was not only the faithful whom Hitler managed to put under his spell. “There won’t be anyone like him for quite some time,” Rudolf Hess wrote in 1924 while imprisoned in Landsberg, “a man who can sweep away both the most left-wing lathe operator and the right-wing government official in a single mass event.” Hess’s view was no exag­geration. Numerous contemporaries who rejected Hitler and his party struggled to resist the lure of Hitler’s overwhelming rhetoric—indeed, some succumbed to it. In his memoirs, the historian Golo Mann described the impression a Hitler speech made on him as a 19-year-old student in the autumn of 1928. “I had to steel myself against the energy and persuasive force of the speaker,” Mann wrote. “A Jewish friend of mine, whom I had brought along, was unable to resist. ‘He’s right,’ he whispered in my ear. How many times had I heard this phrase ‘He’s right’ uttered by listeners from whom I would have least expected it?” 

Hitler’s talent for persuasive oration gave him a hypnotic sway over crowds. Part of his secret was his unusually powerful and variable voice. “Those who only know Hitler from the events of later years, after he had mutated into an immoderately thundering dictator and demagogue at the microphone, have no idea what a flexible and mellif­luous instrument his natural, non-amplified voice was in the early years of his political career,” noted Hanfstaengl. It was Hitler’s voice, at a speech in Weimar in March 1925, that won over Baldur von Schirach, later the Nazis’ Reich youth leader, at the age of 18. “It was a voice unlike any other I had heard from a public speaker,” Schirach recalled. “It was deep and rough, resonant as a cello. His accent, which we thought was Austrian but was actually Lower Bavarian, was alien to central Germany and compelled you to listen.”  he called himself the greatest actor in Europe,” Krosigk recalled. That statement was one of the excessive flights of fancy to which the dictator became increasingly prone in his later years. Nonetheless, Hitler had an undeniable ability to don different masks to suit various occasions and to inhabit changing roles. “He could be a charming conversation partner who kissed women’s hands, a friendly uncle who gave children chocolate, or a man of the people who could shake the callused hands of farmers and artisans,” remarked Albert Krebs, the Gauleiter of Hamburg. When invited to the Bechstein and Bruckmann salons or to afternoon tea at the Schirachs’ in Weimar, he would play the upstanding, suit-and-tie-wearing bourgeois to fit in with such social settings. At NSDAP party conferences, he dressed in a brown shirt and cast himself as a prototypical street fighter who made no secret of his contempt for polite society.

Hitler adapted his speeches to people’s expectations. In front of the Reichstag, he talked like a wise statesman. When he spoke to a circle of industrialists he was a man of moderation. To women he was the good-humoured father who loved children, while in front of large crowds he was a fiery volcano. To his fellow party members he was the truest and bravest soldier who sacrificed himself and was therefore allowed to demand sacrifices of others. André François-Poncet, who witnessed Hitler’s various appearances at the Nuremberg rally in 1935, was impressed by the Führer’s ability to intuit the mood of each given audience. “He found the words and tone he needed for all of them,” the French ambassador remarked. “He ran the gamut from biting to melodramatic to intimate and lordly.” The man who succeeded François-Poncet in 1938, Robert Coulondre, was also surprised by the man he met at the Berghof retreat when he presented his letter of credence in November. “I was expecting a thundering Jove in his castle and what I got was a simple, gentle, possibly shy man in his country home,” Coulondre reported. “I had heard the rough, screaming, threatening and demanding voice of the Führer on the radio. Now I became acquainted with a Hitler who had a warm, calm, friendly and understanding voice. Which one is the true Hitler? Or are they both true?”

Reviews:

Hitler: from the pinnacle of victory to the depths of defeat

R.H.C. · May 2, 2021

This is the second volume of the author's well-received bio of the German dictator, covering 1939 until his suicide in 1945. While the general lines of these years are well known and picked over by other historians, there are some unique factors here which add to the book's insights and value. For example, why was Hitler so successful even in his early military and diplomatic leadership? I think the answer is his psychological insights into opponents--such as the British and French--enabled him to know when to take risks and when to be more conservative. Moreover, his early western European victories intimidated military leaders who might have otherwise resisted his tactical control. But his judgment could also be impaired, such as his belief that the Americans could not make much of a difference and that the Russians could be easily subjugated.The author is quite skillful in probing how Hitler made key decisions and whom he relied upon for guidance. Goebbels once again assumes a major role here; his perceptive advice and skillful propagandizing really strengthened Hitler's hand. The author relies upon sources that have well established their insights: William Shirer, Victor Klemperer, and Goebbels' diaries. But he is also very effective as locating key documents that add insight. He spends a lot of space on the invasion of Russia and the resulting disasters--the most complete discussion I have seen. So too with Stalingrad,When Russia turns the tide, nonetheless Hitler forges ahead even though the author demonstrates he knew the war was lost. Life at the Berghof went on and the military leadership continued his support, even though the author does an insightful job on the July 1944 assassination conspiracy. We often ask how much the German population knew about the death camps; the author concludes they did not want to know about them and sheltered themselves. Though formidable, the Bulge was a hopeless effort.The author has added a most instructive essay "Hitler's Place in History." The book runs about 640 pages with 147 pages of notes attesting to his impressive research. Unlike many translated books on Hitler, many of these notes are in English. There is also a 20 page bibliography, many titles in English, extensive maps, and an exhaustive index. Although the author is a German historian, his analysis of even the most horrible dimensions of Nazism is coldly analytical and without emotion. Hitler is an old story at this stage, but the author's crisp insights and skilled writing makes this well worth reading nonetheless.

Fantastic and Engrossing Book!!!

M.M. · December 3, 2024

This book and volume 1 also, I simply could not put down! It is the best and most engaging of any Hitler biography to date. This is not dry historical writing - the author pulls you in and like a roller coaster takes you on a horrific experience following the life of a true psychopath. Like a Shakespearean okay this tragedy plays out before us as we witness millions suffer and die due to Hitler’s capture of Germany. Like a runaway train this disaster can be viewed through Hitler’s pride and crazy military decisions. The writing is excellent and all the horrible events are played out to us. Everything went well for Hitler until June 22,1941 and Operation Barbarossa - then the fall was inevitable. This is such a good book, and reminds me of my favorite biographer Ron Chernow. Get volume 1 and read both they are truly awesome!

Changed from a four star to a five star

W.H. · October 1, 2020

I was hoping that Ullrich would provide readers with an indepth account of Hitler as a wartime leader, e.g. how he influenced strategy, prioritized resources, and directed/influenced operations on all battle fronts. That is not what this book talks about.The author devotes a disproportionate amount of coverage to Hitler's murderous obsession with the Jewish community in Europe as well as the Eastern Front. Readers looking for in-depth coverage of other topics will be hard pressed to find what THEY are seeking.As I continued to read this book, I got the impression that Ullrich does not feel that other books published over past decades tell the full story of Hitler's depravity or the utter evil of the Nazi system. Ullrich takes that theme one step further by making it a point to disprove the long-held belief that the Wehrmacht fought a clean war without knowledge or tacit support of the misdeeds accomplished by Hitler's henchmen. That is all well and good, but by focusing on those analytical threads he leaves out a lot of strategically relevant material. Not a fatal flaw, but one that readers interested in that aspect should be aware of.Then I reached the section discussing Stalingrad and the events that came afterward. This is where I thought the author began offering amazing and new revelations (not a Hitler guy so the new stuff was new to me). I was fascinated with details on how the Nazi elite conspired against each other for more personal and bureaucratic power. I have read that occurred in a lot of other books, but never had it explained in such detail. I felt the author's account of the 20 July 1944 bomb plot/coup was unparalleled and also was very impressed by the narrative dealing with the last days of the regime.This is a groundbreaking book worthy of a wide readership. But it may not satisfy those interested in more details on Hitler's conduct of military campaigns. Recommended with that caveat.

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