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Theatre of the Oppressed

Description:

"Boal and his work are marvelous examples of the post-modern situation-its problems and its opportunities. Twice exiled, Boal is 'at home' now wherever he finds himself to be. He makes a skeptical, comic, inquisitive and finally optimistic theatre involving spectators and performers in the search for community and integrity. This is a good book to be used even more than to be read." - Richard Schechner

"Augusto Boal's achievement is so remarkable, so original and so groundbreaking that I have no hesitation in describing the book as the most important theoretical work in the theatre in modern times - a statement I make with having suffered any memory lapse with respect to Stanislavsky, Artaud or Grotowski." - Goerge E. Wellwarth

Originally basing himself at the Arena Stage in Sao Paolo, Brazil, Augusto Boal developed a series of imaginative theatre exercises which promote awareness of one's social situation and its limitations, individual attitudes, and even how our bodies are bound by tradition. Boal is continued his explorations in Paris, where he directed Le CEDITADE (Centre d'Etude et de Diffusion des Techniques Actives d'Expression - Methode Boal), in addition to traveling and lecturing extensively in other countries. On May 2, 2009, Boal died at age 78 in Rio de Janeiro.


Editorial Reviews

Amazon.com Review

Is the fundamental relationship between an actor and an audience an equal and active one, or is it a situation that encourages passivity and division? This is the question at the heart of Augusto Boal's revolutionary Theatre of the Oppressed, originally published in 1979. Boal, a Brazilian artist and activist, has written a work that challenges the very premise of Western theater, starting with Aristotle and the first dramatists, and explores what social constructs lie behind the traditional theater form. Then, having explained such often invoked (but rarely scrutinized) terms as imitation, tragedy, and justice, he puts forward a new type of drama that bridges the long-existing gap between theater and politics. Central to his thesis is an attempt to bring spectators into an active role with the drama, encouraging them to comment on the social situations they see presented and suggest potentials for change. Other chapters explore the writings of Hegel and Brecht, along with a lengthy analysis of one of the most profound political thinkers to ever pen a play, Machiavelli and his bitter comedy Mandragola. Boal's book is a challenging one for American actors often politically naive and heavily schooled in the traditions of Stanislavsky-based "naturalism," but this text is vital reading for activists, progressives, and all artists trying to effect social change. --John Longenbaugh

Reviews:

5.0 out of 5 stars "Theater of the Oppressed: A Manual for Revolution (and Drama!)"

J.Q. · December 23, 2024

If you’ve ever wanted to combine your passion for theater with the art of overthrowing oppressive systems, Theater of the Oppressed by Augusto Boal is the book you didn’t know you needed. Think of it as part drama class, part activism guide, and part “Wait, am I a villain in my own story?” self-reflection session.Boal’s techniques are like the Swiss Army knife of social change: versatile, practical, and sharp enough to cut through centuries of systemic inequality. He takes the stage—literally—and turns it into a platform for empowerment. The book is packed with exercises, games, and philosophies designed to get people thinking, moving, and challenging the status quo.But fair warning: this isn’t a breezy read. It’s dense, theoretical, and at times feels like Boal wants you to organize a revolutionary flash mob by the end of chapter two. And yet, that’s part of the charm. He’s not here for passive readers; he’s here for doers.The interactive exercises are pure gold. "Forum Theater," where spectators become “spect-actors” and rewrite the narrative? Genius. The "Image Theater," where you use frozen poses to explore complex issues? Equal parts profound and an excuse to turn every meeting into a game of charades.In conclusion, Theater of the Oppressed is not just a book—it’s a call to action. It’ll make you laugh, cry, think, and probably want to grab your friends to rehearse dismantling systems of power. 9/10—would recommend to anyone who believes the world is a stage, and it’s high time we rewrote the script. 🎭✊

5.0 out of 5 stars Blow MY MIND!

J.S. · May 14, 2007

Buy this. I know that isn't a sentence but wow. This is a life changing work. If you care the minutest bit about theatre, mankind, and the future of both (together and seperate) then feast here. Also, a side benifit is listening to Boal argue AGAINST The Poetics. Good stuff. The begining is a little slow because he begins by very carefully setting up examples and definitions before he begins to explain his actual work and theory. This is nessisary and impressive (citing some ancient Greek philosophers to whom I had never been introduced). I think this book handed me some special x-ray glasses to look through the clothing of our contemporary American theatre. Get yourself a pare.

5.0 out of 5 stars Good choice to get to know about this important Movement / Person

S. · April 1, 2021

Details, back-story and more. Boal should be better known and celebrated, This book will reveal why.

5.0 out of 5 stars The Power of Theater (For Better or Worse).

N.P. · March 10, 2014

Anyone interested in understanding how theater and, by extension, film and televison play a vital role in maintaining the status quo, should read Auguto Boal's book. Boal takes readers on a stroll through the history of drama, philosophy and politics, merging the three artforms into a powerful triumvirate. Boal then offers suggestions for a theater to counteract traditonal cultural ideological aparatuses. Theater of the Oppressed describes a theater of, for and by the oppressed to tell their own stories; a space wherein maginalized people's might reflect on their own concrete realities and contradictions; and an arena of practice in action, moving the oppressed, and those who identify with the oppressed, towards social transformation.

5.0 out of 5 stars Provocative read for anyone involved in theater

A.P. · August 29, 2013

One of the most important questions you need to consider as an artist is the relationship between the work, and the audience. Boal provokes the question masterfully, and even if you don't agree with his thesis - that the "Aristotelian" approach, in which the audience is there to be manipulated and emotionally purged, and that theatre should rebel against this authoritarian relationship - he raises the question clearly. This is a book you should read, argue with, and discuss.

4.0 out of 5 stars More than expected.

R.W.B. · September 14, 2024

It was recommended to me as a useful book for both thought and engaging young people. So far it seems to do just that.

5.0 out of 5 stars Anyone who cares more about the theatre than they do ...

S.R.S. · August 2, 2018

Anyone who cares more about the theatre than they do about money, stars, star writers or directors, or the cult of personality that would have us believe that theatre is just entertainment, needs to read this book.

5.0 out of 5 stars Outstanding Book for Theatre Theorists

S.A. · January 27, 2013

After teaching theatre for over 30 years, immersed in western theatre ideals, Boal's theories shifted my way of thinking upside down. He takes Aristotle's Poetics and makes a great argument against the politics/agenda of traditional approaches in theatre. Then shares his own "Poetics of the Oppressed"--using theatre as a weapon against the oppressions all of us face.

Five Stars

a.g. · August 29, 2016

Thai is a masterpiece of its own kind. The Bible of alternative and people's theatre.

essential reading

s. · December 4, 2024

a must read for any theatre maker

Theatre of the Oppressed

Product ID: U0930452496
Condition: New

4.8

(197 ratings)

AED9191

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

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Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

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Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

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All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

More from this brand

Similar items from “History & Criticism”

Theatre of the Oppressed

Product ID: U0930452496
Condition: New

4.8

(197 ratings)
Theatre of the Oppressed-0
Type: Paperback

AED9191

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

"Boal and his work are marvelous examples of the post-modern situation-its problems and its opportunities. Twice exiled, Boal is 'at home' now wherever he finds himself to be. He makes a skeptical, comic, inquisitive and finally optimistic theatre involving spectators and performers in the search for community and integrity. This is a good book to be used even more than to be read." - Richard Schechner

"Augusto Boal's achievement is so remarkable, so original and so groundbreaking that I have no hesitation in describing the book as the most important theoretical work in the theatre in modern times - a statement I make with having suffered any memory lapse with respect to Stanislavsky, Artaud or Grotowski." - Goerge E. Wellwarth

Originally basing himself at the Arena Stage in Sao Paolo, Brazil, Augusto Boal developed a series of imaginative theatre exercises which promote awareness of one's social situation and its limitations, individual attitudes, and even how our bodies are bound by tradition. Boal is continued his explorations in Paris, where he directed Le CEDITADE (Centre d'Etude et de Diffusion des Techniques Actives d'Expression - Methode Boal), in addition to traveling and lecturing extensively in other countries. On May 2, 2009, Boal died at age 78 in Rio de Janeiro.


Editorial Reviews

Amazon.com Review

Is the fundamental relationship between an actor and an audience an equal and active one, or is it a situation that encourages passivity and division? This is the question at the heart of Augusto Boal's revolutionary Theatre of the Oppressed, originally published in 1979. Boal, a Brazilian artist and activist, has written a work that challenges the very premise of Western theater, starting with Aristotle and the first dramatists, and explores what social constructs lie behind the traditional theater form. Then, having explained such often invoked (but rarely scrutinized) terms as imitation, tragedy, and justice, he puts forward a new type of drama that bridges the long-existing gap between theater and politics. Central to his thesis is an attempt to bring spectators into an active role with the drama, encouraging them to comment on the social situations they see presented and suggest potentials for change. Other chapters explore the writings of Hegel and Brecht, along with a lengthy analysis of one of the most profound political thinkers to ever pen a play, Machiavelli and his bitter comedy Mandragola. Boal's book is a challenging one for American actors often politically naive and heavily schooled in the traditions of Stanislavsky-based "naturalism," but this text is vital reading for activists, progressives, and all artists trying to effect social change. --John Longenbaugh

Reviews:

5.0 out of 5 stars "Theater of the Oppressed: A Manual for Revolution (and Drama!)"

J.Q. · December 23, 2024

If you’ve ever wanted to combine your passion for theater with the art of overthrowing oppressive systems, Theater of the Oppressed by Augusto Boal is the book you didn’t know you needed. Think of it as part drama class, part activism guide, and part “Wait, am I a villain in my own story?” self-reflection session.Boal’s techniques are like the Swiss Army knife of social change: versatile, practical, and sharp enough to cut through centuries of systemic inequality. He takes the stage—literally—and turns it into a platform for empowerment. The book is packed with exercises, games, and philosophies designed to get people thinking, moving, and challenging the status quo.But fair warning: this isn’t a breezy read. It’s dense, theoretical, and at times feels like Boal wants you to organize a revolutionary flash mob by the end of chapter two. And yet, that’s part of the charm. He’s not here for passive readers; he’s here for doers.The interactive exercises are pure gold. "Forum Theater," where spectators become “spect-actors” and rewrite the narrative? Genius. The "Image Theater," where you use frozen poses to explore complex issues? Equal parts profound and an excuse to turn every meeting into a game of charades.In conclusion, Theater of the Oppressed is not just a book—it’s a call to action. It’ll make you laugh, cry, think, and probably want to grab your friends to rehearse dismantling systems of power. 9/10—would recommend to anyone who believes the world is a stage, and it’s high time we rewrote the script. 🎭✊

5.0 out of 5 stars Blow MY MIND!

J.S. · May 14, 2007

Buy this. I know that isn't a sentence but wow. This is a life changing work. If you care the minutest bit about theatre, mankind, and the future of both (together and seperate) then feast here. Also, a side benifit is listening to Boal argue AGAINST The Poetics. Good stuff. The begining is a little slow because he begins by very carefully setting up examples and definitions before he begins to explain his actual work and theory. This is nessisary and impressive (citing some ancient Greek philosophers to whom I had never been introduced). I think this book handed me some special x-ray glasses to look through the clothing of our contemporary American theatre. Get yourself a pare.

5.0 out of 5 stars Good choice to get to know about this important Movement / Person

S. · April 1, 2021

Details, back-story and more. Boal should be better known and celebrated, This book will reveal why.

5.0 out of 5 stars The Power of Theater (For Better or Worse).

N.P. · March 10, 2014

Anyone interested in understanding how theater and, by extension, film and televison play a vital role in maintaining the status quo, should read Auguto Boal's book. Boal takes readers on a stroll through the history of drama, philosophy and politics, merging the three artforms into a powerful triumvirate. Boal then offers suggestions for a theater to counteract traditonal cultural ideological aparatuses. Theater of the Oppressed describes a theater of, for and by the oppressed to tell their own stories; a space wherein maginalized people's might reflect on their own concrete realities and contradictions; and an arena of practice in action, moving the oppressed, and those who identify with the oppressed, towards social transformation.

5.0 out of 5 stars Provocative read for anyone involved in theater

A.P. · August 29, 2013

One of the most important questions you need to consider as an artist is the relationship between the work, and the audience. Boal provokes the question masterfully, and even if you don't agree with his thesis - that the "Aristotelian" approach, in which the audience is there to be manipulated and emotionally purged, and that theatre should rebel against this authoritarian relationship - he raises the question clearly. This is a book you should read, argue with, and discuss.

4.0 out of 5 stars More than expected.

R.W.B. · September 14, 2024

It was recommended to me as a useful book for both thought and engaging young people. So far it seems to do just that.

5.0 out of 5 stars Anyone who cares more about the theatre than they do ...

S.R.S. · August 2, 2018

Anyone who cares more about the theatre than they do about money, stars, star writers or directors, or the cult of personality that would have us believe that theatre is just entertainment, needs to read this book.

5.0 out of 5 stars Outstanding Book for Theatre Theorists

S.A. · January 27, 2013

After teaching theatre for over 30 years, immersed in western theatre ideals, Boal's theories shifted my way of thinking upside down. He takes Aristotle's Poetics and makes a great argument against the politics/agenda of traditional approaches in theatre. Then shares his own "Poetics of the Oppressed"--using theatre as a weapon against the oppressions all of us face.

Five Stars

a.g. · August 29, 2016

Thai is a masterpiece of its own kind. The Bible of alternative and people's theatre.

essential reading

s. · December 4, 2024

a must read for any theatre maker

More from this brand

Similar items from “History & Criticism”