Description:
Editorial Reviews
About the Author
Helen Parker is deVOL's Creative Director. Joining in 2004 as a kitchen designer, by 2011 she had become responsible for deVOL's style, creating one-of-a-kind showrooms, sourcing antiques and gifts and designing new pieces of furniture and accessories. Over the years, she has developed deVOL's look and voice, styling all their beautiful imagery, writing for their brochures and website, and is often featured in national and international press. Recently, Helen has been busy helping to produce and starring in deVOL's Emmy nominated TV series. Helen's passion and desire to create a special look for deVOL has proved to be the making of this company.
Robin McLellan began his deVOL career as a placement student and his willingness to turn his hand to anything, passion for period furniture and lifelong interest in carpentry have allowed him to completely transform the way deVOL manufactures its furniture. Since becoming Managing Director in 2011, Robin has introduced state of the art machinery and methods into the workshops, which have enabled deVOL to grow exponentially. Robin has an understanding and love of traditional techniques and never loses sight of the importance of these, but knows just how to use them in a modern way to produce a beautiful product efficiently and accurately. When Robin is not setting up workshops or dealing with the day-to-day business of running deVOL, he can be found in the workshops designing and making prototypes, welding metal or turning wood. He is the force that drives deVOL each and every day.
Excerpt. © Reprinted by permission. All rights reserved.
I’ve always considered myself quite an unremarkable chap. I was over a year younger than my class all the way through school and the youngest sibling of three in my family. I went to a boys’ boarding school run by priests, where punishments were harsh and readily meted out. I was fearful of failure and not fitting in and totally relieved when I snuck away for good. I’ve always told myself that my life really only started at that point. I headed off to art college, where freedom, creativity and girls made life a whole lot more fun for a 17-year-old slip of a lad, still wet behind the ears.
A foundation course in Art and Design is just a taster really. You try a bit of everything: life drawing, photography, sculpture, model making—pretty much anything that’s fun. It’s the polar opposite of revising for A Levels. The culture is laid back; it’s up to you how hard you try, and nobody’s going to beat you with a cane for talking out of turn.
It was like coming out of prison and going to summer camp. I loved every project they set us, but I also saw more talented people all around me. They seemed so much freer at expressing themselves. I don’t really blame myself for not doing a great deal of work. College serves many purposes, and I just needed to live a little, do a lot of growing up and figure out who I was.
Having too much fun was bound to end in failure, and it didn’t take too long to find that out. Before the year was done, my mates were being accepted for degree courses around the country, while I continued to drag my meagre portfolio around second-rate colleges to no avail. It was a sorry day when I said goodbye to the lovely friends I’d made and left our halls of residence with nothing lined up for next year. Moving back to Mum and Dad’s and getting a job in a factory was the bitterest pill, but maybe just the motivation I needed.
I worked in an engineering firm that made huge electrical switchboards for power stations. I was drilling copper bars and bolting down relays alongside dozens of other teenagers. They would go out at the weekend and spend all their money on lager and fruit machines, without a thought of what else they could be doing. But I’d seen the promised land and I wanted to get back there.
If my portfolio wasn’t good enough, then I’d have to retake my A Levels and get into university to do a design course. I gave up my job, left home and bunked down on my college friends’ sofas. I worked in temping agencies and spent a year doing evening classes with a focus I’d never known before. Instead of being shushed, I was doing the shushing. All the same, I had no idea whether this renewed effort would be enough.
I’ll never forget the day I got my results though. I was just getting over glandular fever and was cycling across Ireland with my girlfriend, Jane, who was a jewellery student. I slotted my 10p pieces into a red phone box somewhere near Tipperary and listened to my dad read out my results. I’d never been so happy. I had exceeded all expectations and finally I was in. It was the first little something I could actually feel proud about.
The degree course in Industrial Design at Loughborough University was perfect for me. I’m not an artist and I’m not an engineer. I’m somewhere in between, and as it turns out, that’s not a bad place to be. If ever there was a course made for a skill set that wasn’t easily identifiable, this was it. Week one: take a picture of the department from the air, by Friday! The sort of brief that makes you just shrug your shoulders and look blankly around you. Groups formed. What about a kite, a box kite? We’ll need balsa wood sticks, or bamboo. We’ll need polythene or fabric. Is there a fabric stall on the market? We had ideas and we had to get stuck in because on the next bench somebody was way ahead of us. Week two: make a car that can travel the furthest using this rubber band. And while we pondered each new problem, we had hands-on experience using lathes and milling machines, learning about vacuum forming and injection moulding. It was three years of learning how to solve problems, and I didn’t just apply those newfound skills to coursework. One of my most pressing problems was money, or my complete lack of it. Students lived in slums in those days, with cling film on the windows and flea powder around the carpet. Clothes were from charity shops, and we ate beans and tinned tomatoes to afford a night out. With begged-for overdrafts creeping higher and bank managers’ ‘Nos’ becoming ever more stern, it was time to get resourceful.
So I hitched rides and earned cash pavementdrawing or gathering mistletoe for free in France and selling it on the streets, in the run-up to Christmas, back in England. By a determination that I’ll never figure out, with a £1,600 overdraft and no job, I managed to buy a house. Still in my second year at university, I had become quite the problem solver, and no problem was too big. I set my sights on an eight-bedroom house that I would let out to students to pay the mortgage. Of course, the bank manager said no, over and over, but I phoned him every Monday morning at five past nine for two months and asked him to change his mind. One day, in a moment of madness, he did! When I turned up on my bicycle to this four-storey Victorian villa, the other students gathered at the door asked if I was here to look at the house as well. I said ‘No, I’m the landlord!’ Looking back, that was remarkable indeed, and it set me up for many attempts at business, all of which ended in failure, but as I’ve found out, failure is quite the cathartic experience.
Every failure tells its own story, and to an enquiring mind, it’s easy to see what went wrong after the event. The most important lesson of all was the realisation that failure is not the end of things. For me, failure became nothing more than a train coming to a halt at the station. It’s not necessarily the end of the line, you just have a choice to make.
Stay on, get off, take another train—there are lots of options. When the train pulls in, there’s time to reconsider and recognise what’s important. So when I lost the house, I was OK with that, and being broke was something I was used to. The house was gone, but so was the mortgage. I had no kids and I was young, so I could just go again. There really wasn’t much to get upset about. Especially because I had gained such a lot. I was wiser, more canny and less naive, my eyes wider open, more awake to the ways of the world.
Each failure made me more resilient and even more determined. I thought, how hard can it be? I can do this. I soaked up advice like a sponge, always asking anyone who ran their own show what made it tick. In the end the answers are simple, business is simple, success is simple, and you look back and wonder how it took you so long to see just how simple it really is.
This is a book about kitchens and design, and it’s also about deVOL, which is quite a remarkable story. We came from nowhere, the three of us, but each of us has something unique that stems from our childhood and the things that interested us. We are all shaped by experience and it’s the challenges that really wake you up and make you into the somebody you become.
The three of us bring different things to the table, each of them essential, and we also recognise that we can’t do it alone. We each lack what the others have, so we pull together on different ropes, but all in the right direction.
For many years, we were working from a very unremarkable brick shed on an industrial estate. Your premises say a lot about your business, and we needed to find a place that would really put us on the map and set us apart from every other local joinery shop. That’s when we found Cotes Mill; the great white elephant, a forgotten gem on the River Soar where it had been perched for over a thousand years. What seemed at first like an impossible dream soon became our greatest and most rewarding adventure.
Whenever I look at our sales chart for that period, I call it the Cotes Mill effect. Orders grew and the calibre of kitchens moved up a notch too. It gave us the confidence to open a shop in London. It’s a big step for a company from the Shires to open up in the Big Smoke. It was a risk, it meant lots more overheads and we had no idea if it would work. But my hunches seemed to be paying off; so onwards and upwards—we were on a roll. This time we bought a lovely listed Georgian house in Clerkenwell and converted it into another showroom. We were blown away by how well it was received, and before long we had some really big names walking through our door; I mean like ‘Oh-my-God-guess-who-walked-into-the-shop-today?’ type people.
Reviews:
5.0 out of 5 stars Great book with beautiful pictures!
Beautiful kitchens. Great for planning an English-inspired renovation.
5.0 out of 5 stars Essential Design Book for Anyone Looking for Bespoke, Vintage Kitchen & Home Inspiration
I have been a fan of deVol since watching the incredibly beautiful design show "For the Love of Kitchens". It is rare to find this level of craftsmanship in the world these days. From a converted Mill in Leicestershire, England they employ artisans from all disciplines—woodworking, metalsmithing, ceramics—to create cabinetry, furniture, fittings and homewares by hand that result in very "storied" pieces. Founder, Paul O'leary has a great outlook on life, business and what it means to create heirloom pieces. Designer Helen Parker is a self-taught marvel with a keen eye that makes design look and feel effortless, charming and sophisticated. Robin McLellan makes furniture with the utmost precision and attention to detail. I love to see artists and designers thriving. If you are looking for vintage kitchen inspiration or want to mix old with new, this book is a must have! And it's beautifully written and photographed—one to enjoy over and over again. So happy to have it.
5.0 out of 5 stars It’s a Triumph
A beautiful book full of gorgeous, glossy photos. It is as charming as their tv show, “For the Love of Kitchens”. deVOL delivered! It’s a triumph!
5.0 out of 5 stars What a wonderful book
This is the most peaceful, inspiring book I own.I fell in love with their show on Magnolia, so I couldn’t wait until the book was available. Paul and Helen and the rest of their crew are true craftspeople and they work their magic on every kitchen they inspire.Don’t hesitate to buy this book, you will read it over and over again and find something new each time
5.0 out of 5 stars high quality design book - both printing and content
what a dreamy book highlighting artful, welcoming and cozy kitchens by talented designer/builders. while the designers may have become out of reach due to the high demand for their services, ALL can get inspiration for their own kitchen dreams. Wonderful history, process and stunning images - all printed/bound in a perfect size (not crazy-large but not small either). Would make a great gift!
5.0 out of 5 stars deVol
Fantastic book..amazing photographs showcasing fabulous kitchens
5.0 out of 5 stars deVol is the only way to go
If you like classic, sleek, upscale, crown molding, handmade, and rich colors, deVol Kitchens is the book for you with endless full page photos of their custom kitchens with innovative, functionality options.
5.0 out of 5 stars Excited book!
Excited book!
Gorgeous Book!
Gorgeous book, full of gorgeous kitchens. Inspirational photos & writing. Perfect companion to the TV Series, For The Love Of Kitchens; you'll recognise many of the kitchens. With this book, you get to have a closer look. 🤩
Stunning interior
As beautiful as their kitchens.
Publicação impecável.
Excelente publicação! Ótimo como instrumento de pesquisa estética para compreender o trabalho da DeVol.
Bitte, ich hätte gerne eine Küche von deVOL Kitchen
Wer hätte sie nicht gerne, die Küche von deVOLKitchen?!Diese Küchen sehen aus, als wären sie schon immer dagewesen.Individuell perfekt an das Haus und auf die Bedürfnisse der Bewohner angepasst.Feinstes, traditionelles Handwerk gepaart mit Kunstverstand und ganz viel Liebe.Hier werden nicht nur wunderschöne Küchen gezeigt, hier geht es auch um den Schaffensprozess eines tollen Teams.Viele von und werden sich so eine Küche nie leisten können, das macht aber nichts, da man neidlos anerkennen kann, dass sich hier Handwerk und Kunst so vermischen, dass etwas Großes und auch immer etwas Einzigartiges entsteht, was ganz viel Lebensqualität gibt.Und uns lesenden ganz viel Inspiration!
Devol is superior kitchen design
This book does not disappoint. I’ve already loved Devol and their products but this book is so lovely. The photos the content is so inspiring. I recommend it. Don’t hesitate to buy. The book itself is very high quality as you’d expect from them.
Visit the Clarkson Potter Store
The deVOL Kitchen: Designing and Styling the Most Important Room in Your Home
AED27556
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Similar items from “Decorating”
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Visit the Clarkson Potter Store
The deVOL Kitchen: Designing and Styling the Most Important Room in Your Home
AED27556
Quantity:
Order today to get by 7-14 business days
This item qualifies for free delivery
Imported From: United States
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
Editorial Reviews
About the Author
Helen Parker is deVOL's Creative Director. Joining in 2004 as a kitchen designer, by 2011 she had become responsible for deVOL's style, creating one-of-a-kind showrooms, sourcing antiques and gifts and designing new pieces of furniture and accessories. Over the years, she has developed deVOL's look and voice, styling all their beautiful imagery, writing for their brochures and website, and is often featured in national and international press. Recently, Helen has been busy helping to produce and starring in deVOL's Emmy nominated TV series. Helen's passion and desire to create a special look for deVOL has proved to be the making of this company.
Robin McLellan began his deVOL career as a placement student and his willingness to turn his hand to anything, passion for period furniture and lifelong interest in carpentry have allowed him to completely transform the way deVOL manufactures its furniture. Since becoming Managing Director in 2011, Robin has introduced state of the art machinery and methods into the workshops, which have enabled deVOL to grow exponentially. Robin has an understanding and love of traditional techniques and never loses sight of the importance of these, but knows just how to use them in a modern way to produce a beautiful product efficiently and accurately. When Robin is not setting up workshops or dealing with the day-to-day business of running deVOL, he can be found in the workshops designing and making prototypes, welding metal or turning wood. He is the force that drives deVOL each and every day.
Excerpt. © Reprinted by permission. All rights reserved.
I’ve always considered myself quite an unremarkable chap. I was over a year younger than my class all the way through school and the youngest sibling of three in my family. I went to a boys’ boarding school run by priests, where punishments were harsh and readily meted out. I was fearful of failure and not fitting in and totally relieved when I snuck away for good. I’ve always told myself that my life really only started at that point. I headed off to art college, where freedom, creativity and girls made life a whole lot more fun for a 17-year-old slip of a lad, still wet behind the ears.
A foundation course in Art and Design is just a taster really. You try a bit of everything: life drawing, photography, sculpture, model making—pretty much anything that’s fun. It’s the polar opposite of revising for A Levels. The culture is laid back; it’s up to you how hard you try, and nobody’s going to beat you with a cane for talking out of turn.
It was like coming out of prison and going to summer camp. I loved every project they set us, but I also saw more talented people all around me. They seemed so much freer at expressing themselves. I don’t really blame myself for not doing a great deal of work. College serves many purposes, and I just needed to live a little, do a lot of growing up and figure out who I was.
Having too much fun was bound to end in failure, and it didn’t take too long to find that out. Before the year was done, my mates were being accepted for degree courses around the country, while I continued to drag my meagre portfolio around second-rate colleges to no avail. It was a sorry day when I said goodbye to the lovely friends I’d made and left our halls of residence with nothing lined up for next year. Moving back to Mum and Dad’s and getting a job in a factory was the bitterest pill, but maybe just the motivation I needed.
I worked in an engineering firm that made huge electrical switchboards for power stations. I was drilling copper bars and bolting down relays alongside dozens of other teenagers. They would go out at the weekend and spend all their money on lager and fruit machines, without a thought of what else they could be doing. But I’d seen the promised land and I wanted to get back there.
If my portfolio wasn’t good enough, then I’d have to retake my A Levels and get into university to do a design course. I gave up my job, left home and bunked down on my college friends’ sofas. I worked in temping agencies and spent a year doing evening classes with a focus I’d never known before. Instead of being shushed, I was doing the shushing. All the same, I had no idea whether this renewed effort would be enough.
I’ll never forget the day I got my results though. I was just getting over glandular fever and was cycling across Ireland with my girlfriend, Jane, who was a jewellery student. I slotted my 10p pieces into a red phone box somewhere near Tipperary and listened to my dad read out my results. I’d never been so happy. I had exceeded all expectations and finally I was in. It was the first little something I could actually feel proud about.
The degree course in Industrial Design at Loughborough University was perfect for me. I’m not an artist and I’m not an engineer. I’m somewhere in between, and as it turns out, that’s not a bad place to be. If ever there was a course made for a skill set that wasn’t easily identifiable, this was it. Week one: take a picture of the department from the air, by Friday! The sort of brief that makes you just shrug your shoulders and look blankly around you. Groups formed. What about a kite, a box kite? We’ll need balsa wood sticks, or bamboo. We’ll need polythene or fabric. Is there a fabric stall on the market? We had ideas and we had to get stuck in because on the next bench somebody was way ahead of us. Week two: make a car that can travel the furthest using this rubber band. And while we pondered each new problem, we had hands-on experience using lathes and milling machines, learning about vacuum forming and injection moulding. It was three years of learning how to solve problems, and I didn’t just apply those newfound skills to coursework. One of my most pressing problems was money, or my complete lack of it. Students lived in slums in those days, with cling film on the windows and flea powder around the carpet. Clothes were from charity shops, and we ate beans and tinned tomatoes to afford a night out. With begged-for overdrafts creeping higher and bank managers’ ‘Nos’ becoming ever more stern, it was time to get resourceful.
So I hitched rides and earned cash pavementdrawing or gathering mistletoe for free in France and selling it on the streets, in the run-up to Christmas, back in England. By a determination that I’ll never figure out, with a £1,600 overdraft and no job, I managed to buy a house. Still in my second year at university, I had become quite the problem solver, and no problem was too big. I set my sights on an eight-bedroom house that I would let out to students to pay the mortgage. Of course, the bank manager said no, over and over, but I phoned him every Monday morning at five past nine for two months and asked him to change his mind. One day, in a moment of madness, he did! When I turned up on my bicycle to this four-storey Victorian villa, the other students gathered at the door asked if I was here to look at the house as well. I said ‘No, I’m the landlord!’ Looking back, that was remarkable indeed, and it set me up for many attempts at business, all of which ended in failure, but as I’ve found out, failure is quite the cathartic experience.
Every failure tells its own story, and to an enquiring mind, it’s easy to see what went wrong after the event. The most important lesson of all was the realisation that failure is not the end of things. For me, failure became nothing more than a train coming to a halt at the station. It’s not necessarily the end of the line, you just have a choice to make.
Stay on, get off, take another train—there are lots of options. When the train pulls in, there’s time to reconsider and recognise what’s important. So when I lost the house, I was OK with that, and being broke was something I was used to. The house was gone, but so was the mortgage. I had no kids and I was young, so I could just go again. There really wasn’t much to get upset about. Especially because I had gained such a lot. I was wiser, more canny and less naive, my eyes wider open, more awake to the ways of the world.
Each failure made me more resilient and even more determined. I thought, how hard can it be? I can do this. I soaked up advice like a sponge, always asking anyone who ran their own show what made it tick. In the end the answers are simple, business is simple, success is simple, and you look back and wonder how it took you so long to see just how simple it really is.
This is a book about kitchens and design, and it’s also about deVOL, which is quite a remarkable story. We came from nowhere, the three of us, but each of us has something unique that stems from our childhood and the things that interested us. We are all shaped by experience and it’s the challenges that really wake you up and make you into the somebody you become.
The three of us bring different things to the table, each of them essential, and we also recognise that we can’t do it alone. We each lack what the others have, so we pull together on different ropes, but all in the right direction.
For many years, we were working from a very unremarkable brick shed on an industrial estate. Your premises say a lot about your business, and we needed to find a place that would really put us on the map and set us apart from every other local joinery shop. That’s when we found Cotes Mill; the great white elephant, a forgotten gem on the River Soar where it had been perched for over a thousand years. What seemed at first like an impossible dream soon became our greatest and most rewarding adventure.
Whenever I look at our sales chart for that period, I call it the Cotes Mill effect. Orders grew and the calibre of kitchens moved up a notch too. It gave us the confidence to open a shop in London. It’s a big step for a company from the Shires to open up in the Big Smoke. It was a risk, it meant lots more overheads and we had no idea if it would work. But my hunches seemed to be paying off; so onwards and upwards—we were on a roll. This time we bought a lovely listed Georgian house in Clerkenwell and converted it into another showroom. We were blown away by how well it was received, and before long we had some really big names walking through our door; I mean like ‘Oh-my-God-guess-who-walked-into-the-shop-today?’ type people.
Reviews:
5.0 out of 5 stars Great book with beautiful pictures!
Beautiful kitchens. Great for planning an English-inspired renovation.
5.0 out of 5 stars Essential Design Book for Anyone Looking for Bespoke, Vintage Kitchen & Home Inspiration
I have been a fan of deVol since watching the incredibly beautiful design show "For the Love of Kitchens". It is rare to find this level of craftsmanship in the world these days. From a converted Mill in Leicestershire, England they employ artisans from all disciplines—woodworking, metalsmithing, ceramics—to create cabinetry, furniture, fittings and homewares by hand that result in very "storied" pieces. Founder, Paul O'leary has a great outlook on life, business and what it means to create heirloom pieces. Designer Helen Parker is a self-taught marvel with a keen eye that makes design look and feel effortless, charming and sophisticated. Robin McLellan makes furniture with the utmost precision and attention to detail. I love to see artists and designers thriving. If you are looking for vintage kitchen inspiration or want to mix old with new, this book is a must have! And it's beautifully written and photographed—one to enjoy over and over again. So happy to have it.
5.0 out of 5 stars It’s a Triumph
A beautiful book full of gorgeous, glossy photos. It is as charming as their tv show, “For the Love of Kitchens”. deVOL delivered! It’s a triumph!
5.0 out of 5 stars What a wonderful book
This is the most peaceful, inspiring book I own.I fell in love with their show on Magnolia, so I couldn’t wait until the book was available. Paul and Helen and the rest of their crew are true craftspeople and they work their magic on every kitchen they inspire.Don’t hesitate to buy this book, you will read it over and over again and find something new each time
5.0 out of 5 stars high quality design book - both printing and content
what a dreamy book highlighting artful, welcoming and cozy kitchens by talented designer/builders. while the designers may have become out of reach due to the high demand for their services, ALL can get inspiration for their own kitchen dreams. Wonderful history, process and stunning images - all printed/bound in a perfect size (not crazy-large but not small either). Would make a great gift!
5.0 out of 5 stars deVol
Fantastic book..amazing photographs showcasing fabulous kitchens
5.0 out of 5 stars deVol is the only way to go
If you like classic, sleek, upscale, crown molding, handmade, and rich colors, deVol Kitchens is the book for you with endless full page photos of their custom kitchens with innovative, functionality options.
5.0 out of 5 stars Excited book!
Excited book!
Gorgeous Book!
Gorgeous book, full of gorgeous kitchens. Inspirational photos & writing. Perfect companion to the TV Series, For The Love Of Kitchens; you'll recognise many of the kitchens. With this book, you get to have a closer look. 🤩
Stunning interior
As beautiful as their kitchens.
Publicação impecável.
Excelente publicação! Ótimo como instrumento de pesquisa estética para compreender o trabalho da DeVol.
Bitte, ich hätte gerne eine Küche von deVOL Kitchen
Wer hätte sie nicht gerne, die Küche von deVOLKitchen?!Diese Küchen sehen aus, als wären sie schon immer dagewesen.Individuell perfekt an das Haus und auf die Bedürfnisse der Bewohner angepasst.Feinstes, traditionelles Handwerk gepaart mit Kunstverstand und ganz viel Liebe.Hier werden nicht nur wunderschöne Küchen gezeigt, hier geht es auch um den Schaffensprozess eines tollen Teams.Viele von und werden sich so eine Küche nie leisten können, das macht aber nichts, da man neidlos anerkennen kann, dass sich hier Handwerk und Kunst so vermischen, dass etwas Großes und auch immer etwas Einzigartiges entsteht, was ganz viel Lebensqualität gibt.Und uns lesenden ganz viel Inspiration!
Devol is superior kitchen design
This book does not disappoint. I’ve already loved Devol and their products but this book is so lovely. The photos the content is so inspiring. I recommend it. Don’t hesitate to buy. The book itself is very high quality as you’d expect from them.
Similar suggestions by Bolo
More from this brand
Similar items from “Decorating”
Share with
Or share with link
https://www.bolo.ae/products/U0593582322