
Description:
Editorial Reviews
Review
"A rich, engrossing family saga, spiked with sisterly malice...[rendered] with such skill and finely tuned interest that it feels like a quiet subversion of the traditional family saga."
—The New York Times Book Review
"Ambitious and brilliantly written."
—Jane Smiley, The Washington Post
“If ever there were to be a literary love child of Jonathan Franzen and Anne Tyler, then Claire Lombardo’s outstanding debut, which ranges from ebullience to despair by way of caustic but intense familial bonds, would be a worthy offspring…This is a novel epic in scope—emotionally, psychologically and narratively. Combining a broad thematic canvas with impressive emotional nuance, it’s an assured and highly enjoyable debut.”
—The Guardian
“An assured first novel…The fun—well, that’s in the reading of the novel, which nicely blends comedy with pathos and the sharp- with the soft-edged.”
—Wall Street Journal
“The Most Fun We Ever Had is a remarkable first-time novel offering such an intimate picture of people’s interior lives I feel as if every one of these characters is now a close friend. Lombardo has the remarkable ability to delve into people’s minds so deeply that the most quotidian moments become utterly fascinating."
—Ruth Reichl, Los Angeles Times
“A wonderfully immersive read that packs more heart and heft than most first novels…A deliciously absorbing novel with—brace yourself—a tender and satisfyingly positive take on family.”
—NPR
“The big family saga of the summer, unfurling the fallout of a long-buried secret and persisting rivalries between four sisters across 50 transformative years.”
—EW
“A sprawling, enchanting debut, this novel jumps back and forth across time to tell the story of one powerful, complicated, and utterly unforgettable family as they navigate love and loss.”
—Town and Country
"This juicy saga spans more than four decades…You’ll be glad this loopy family isn’t yours, but reading about them is a treat.”
—People Magazine
“[A] satisfying multicourse feast.”
—O Magazine
“A rich, complex family saga.”
—USA Today
“[A] brilliant debut.”
—PopSugar
“A sharp, sly family story of feminine guile and guilt...A fun and brimming tale...Divine.”
—Kirkus Reviews
“Lombardo captures the complexity of a large family with characters who light up the page with their competition, secrets, and worries…A rich and rewarding family saga.”
—Publishers Weekly
“A family epic…It resembles other sprawling midwestern family dramas, like Jonathan Franzen's The Corrections (2001)…The result is an affectionate, sharp, and eminently readable exploration of the challenges of love in its many forms.”
—Booklist
“A sprawling drama that explores the maelstrom of love, resentment and tension of the nuclear family, and the ways in which a shared history can affect the future for years…Covering 40 years of Sorenson family strengths and foibles, The Most Fun We Ever Had is a classy but juicy read that always has one more surprise up its sleeve.”
—Shelf Awareness
"Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand."
—Rebecca Makkai, author of The Great Believers
"In The Most Fun We Ever Had, Claire Lombardo has given us a truly unforgettable American family. The book bristles on every page with intelligence and fierce wit. What a debut!"
—Richard Russo, author of That Old Cape Magic and Chances Are…
“Lombardo's impressive debut is a gripping and poignant ode to a messy, loving family in all its glory. She juggles a huge cast of characters with seeming effortlessness, bringing each to life with humor, vividness and acute psychological insight.”
—Madeline Miller, New York Times bestselling author of Circe
“What a splendid, spacious, gripping novel Claire Lombardo has written. These pages sparkle with wit and wisdom. I love the four difficult Sorenson daughters, each in the grip of her own emergencies. The Most Fun We Ever Had is a gorgeous and profound debut.”
—Margot Livesey, author of Mercury
“Remarkably alive and wise, Claire Lombardo's story of the Sorensons is a stunning vision--not just of family or love, but the funny, tender mystery of human connection itself, with all its intensity, charm, and wonder.”
—Affinity Konar, author of Mischling
“Lombardo has a wry, often spiky humour and tightly written style that should appeal to fans of Maria Semple, Emma Straub and Jennifer Egan…A moving, immersive, often very funny study of family and sisterhood.”
—Times UK
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Offspring
April 15, 2000
Sixteen years earlier
Other people overwhelmed her. Strange, perhaps, for a woman who’d added four beings to the universe of her own reluctant volition, but a fact nonetheless: Marilyn rued the inconvenient presence of bodies, bodies beyond her control, her understanding; bodies beyond her favor. She rued them now, from her shielded spot beneath the ginkgo tree, where she was hiding from her guests. She’d always had that knack for entertaining, but it drained her, fully, time and time again, decades of her father’s wealthy clients and her husband’s humorless colleagues; of her children’s temperamental friends; of her transitory neighbors and ever-shifting roster of customers. And yet, today: a hundred-odd near strangers in her backyard, humans in motion, staying in motion, formally clad; tipsy celebrants of the union of her eldest daughter, Wendy, people who were her responsibility for this evening, when she already had so much on her plate—not literally, for she’d neglected to take advantage of the farm-fresh menu spread over three extra-long card tables, but elementally—four girls for whose presences she was biologically and socially responsible, polka-dotting the lawn in their summer pastels. The fruits of her womb, implanted repeatedly by the sweetness of her husband, who was currently nowhere to be found. She’d fallen into motherhood without intent, producing a series of daughters with varying shades of hair and varying degrees of unease. She, Marilyn Sorenson, née Connolly—a resilient product of money and tragedy, from dubious socioemotional Irish-Catholic lineage but now, for all intents and purposes, as functional as they come: an admirably natural head of dirty-blond hair, marginally conversant in both literary criticism and the lives of her children, wearing a fitted forest green sheath that exposed the athletic curve of her calves and the freckled landscape of her shoulders. People kept referring to her with great drama as the mother of the bride, and she was trying to act the part, trying to pretend that she wasn’t focused almost exclusively on the well-being of her children, none of whom, that particular evening, seemed to be thriving.
Maybe normalcy skipped a generation, like baldness. Violet, her second-born, a striking brunette in silk chiffon, had uncharacteristically reeked of booze since breakfast. Wendy was always cause for concern, despite seeming less beleaguered today, owing either to the fact that she’d just married a man who had bank accounts in the Caymans or to the fact that this man was, as she vocally professed, “the love of her life.” And Grace and Liza, nine years apart but both maladjusted, the former a shy, stunted soon-to‑be second-grader and the latter about to friendlessly finish her sophomore year of high school. How could you grow people inside your own body, sprout them from your own extant materials, and suddenly be unable to recognize them?
Normalcy: it bore a second look, sociologically speaking.
Gracie had found her beneath the ginkgo. Her youngest was almost seven, an insufferable age, aeons from leaving the household, still childish enough that she’d tried to slip into their bed in the middle of the previous night, which wouldn’t have been that big of a deal had her parents been clothed at the time. Anxiety did something to Marilyn, always had, drew her magnetically to the animal comfort of her husband.
“Sweetheart, why don’t you go find—” She hesitated. The only other children at the wedding were toddlers and she didn’t specifically want to encourage Grace’s already-burgeoning antisocial love of dogs by suggesting that she go play with Goethe, but she wanted a moment to herself, just a few seconds to breathe in the cooling air of early evening. “Go find Daddy, love.”
“I can’t find him,” Grace said, the hint of a baby voice blunting her vowels.
“Well, look harder.” She bent to kiss her daughter’s hair. “I need a minute, Goose.”
*
Grace moved off. She’d already checked on Wendy. Already swung on the porch swing with Liza until her sister had been distracted by a boy wearing sneakers with his wedding suit; already convinced Violet to share four sips of champagne from her fancy glass flute. She was out of people to check on.
It was strange to have to share her parents with others this weekend, to have her sisters back around the house on Fair Oaks. Her father sometimes called her the “only only-child in the world who has three sisters.” She resented, slightly, her sisters homing in on her territory. She soothed herself as she always did, with the company of Goethe, curling up with him beneath the purple flower bushes and running her hand through his bristly fur, the part of his butt that looked like it had been permed.
*
Liza felt a little bad, seeing her younger sister finding solace in the dog while she herself was finding solace inside a stranger’s mouth, but the groomsman emanated a smoky vapor of whiskey and arugula and he was doing something with his fingers to the inside of her thigh that made her turn her head away, deciding that Grace could fend for herself, that it wasn’t possible to learn that skill too early.
“Tell me about you,” the groomsman said, his knuckles grazing the lacy insignificance of the thong she’d worn in the hopes of exactly such an occasion.
“What do you want to know?” she asked. It came out sounding kind of hostile. She’d never quite mastered being flirtatious.
“There’s four of you?” he asked. “What’s that like?”
“It’s a vast hormonal hellscape. A marathon of instability and hair products.”
He smiled, confused, and she leaned forward boldly and kissed him.
*
Violet had never been quite so drunk, sitting slumped, alone, at one of the tables, from which she supposed she’d driven the other guests. The previous night came to her in fizzy episodic sunbursts: the bar that used to be a bowling alley; her blue-eyed companion with his double-jointed elbows, the athletic clasp of his thighs, the back of his mother’s station wagon; how she’d made sounds she did not recognize at first as coming from her own throat, porn star sounds, primal groans. How he came first—she’d later felt him dripping out of her, when they climbed back into the front seat—and then made her, with a deft attention to detail, come as well, for the first time in her life. And how she’d made him drop her a block away from her parents’ house lest Wendy be still awake.
She watched Wendy, wearing sweetheart-neck Gucci at her backyard wedding to an old-money academic, being spun in circles by her new husband to “You Can’t Hurry Love.” Her sister had, for the first time, surpassed her, success-wise. She was blithe and beautiful and twirling in circles while Violet was drunk past the point of physical comfort, gnawing at a full loaf of catered focaccia, rubbing the oil on the underside of her skirt. But she felt herself smiling a little at Wendy, at oblivious Wendy getting grass stains on her satin train. Imagined going over to her sister and whispering in her ear, You’d die if you knew where I was last night.
*
Wendy watched as Miles, throwing an apologetic smile at her over his shoulder, was pulled away from her by his toddler cousin, their ringbearer, who had solicited his accompaniment to the cake table.
“There’s some good daddy training happening over there,” someone said, taking her by the elbow. It was a guest from Miles’s side, possibly someone’s real estate broker, a silicone goblin of a woman. The people on the lawn at present were probably collectively worth more than the GDP of a midsize country. “It’s good you’re so young. Plenty of time to flesh out the family tree.”
It seemed a crass thing to say for a variety of reasons, so Wendy responded in kind: “Who says I want to split up my share among a bunch of kids?”
The woman looked horrified, but Wendy and Miles lived for these jokes, were allowed to make these jokes because neither of them gave a fuck if people thought Wendy was a gold digger; all that mattered was what they knew to be true, which was that she’d never loved another person as fiercely as she did Miles Eisenberg, and he, by some grand cosmic miracle, loved her back. She was an Eisenberg now. In the top thirty, at least, of the wealthiest families in Chicago. She could fuck with whomever she wanted.
“It’s my plan to outlive everyone and spend my days reveling in a disgusting level of opulence,” she said. And she rose from her seat and went to straighten her new husband’s tie.
*
The trees, David noted, were at burgeoning that day, big prodigious leaves making dancing shadows across the grass, which they’d tried to keep the dog off of for the sake of aesthetic preservation, David and Marilyn rising early in the mornings and pulling on raincoats over their pajamas to walk him instead of just opening the back door like they normally did. David watched as the rented tables and chairs wore their grooves into the pristine lawn, legs melon-balling the expensively fertilized sod in a way that made his gut churn. Goethe was now roaming around the yard like a recently released convict, traversing the verdant grounds with the proprietary confidence of a horticulturist. David took a breath of damp air—was rain coming? It might make the guests leave sooner—and marveled over the sheer number of people that could accumulate in a lifetime, the number of faces in his yard that he didn’t recognize. He thought of Wendy as a toddler, when they lived in Iowa, creeping onto the porch where he and Marilyn rocked together in the rickety cedar swing, fitting herself neatly between them and murmuring, already drifting back to sleep, You’re my friends. He was nearly overcome, standing there, feeling as out-of-place as he had a quarter of a century ago, before they’d married, a chilly December night when Marilyn had lain against his chest beneath the ginkgo. He did a visual sweep, eyes blurring the sea of pale spring colors until he found his wife, a tiny ballast of forest green: hiding beneath that very same ginkgo. He slipped along the fence until he came to her, and reached out an imploring hand to the small of her back. She leaned instinctively into it.
“Come with me,” he said, and led her around the trunk, into the shade, where he pulled her to him and buried his face in her hair.
“Sweetheart,” she said, worried. “What is it?”
He pressed his face into the crook of her neck, breathing in the faint dry warmth of her scent, lilacs and Irish Spring. “I missed you,” he said into her clavicle.
“Oh, love.” She tightened her embrace, tilted his chin until he met her eyes. He kissed her mouth, and then her cheekbone and her forehead and the inlet of her jaw where he could feel her pulse, and then her mouth again. She was smiling, lips a flushed feverish plum, and then she was kissing him back, the periphery blurring away. The thing that would always mean more than everything else: the goldish warmth of his wife, the heat of their mutual desperation; two bodies finding solace in the only way they knew how, through the language of lips, his hands along her spine, her spine against the tree trunk, the resultant quiet that occurred when they came together, until she pulled away, smiled up at him and said, “Just don’t let the girls catch us,” before she buried herself once again against him.
*
But of course they saw. All four of the girls watched their parents from disparate vantage points across the lawn, each alerted initially to their absence from the reception by that pull, a vestigial holdover from childhood, seeking the cognitive comfort that came from the knowing, the geolocation, the proximity of those who’d created you, those who would always feel beholden to you, no matter what; each of their four daughters paused what she was doing in order to watch them, the shining unfathomable orb of their parents, two people who emanated more love than it seemed like the universe would sanction.
Reviews:
Truly The Most Fun I’ve Ever Had
Wow! Lombardo’s wit and wisdom pours out of the Sorenson family — the flaws, the faults, the feelings. Impeccably written and easy to read, I thoroughly enjoyed the story. I generally am not a fan of novels told in different years scattered among the chapters but this works and it helps us slowly unfold the layers that make David, Marilyn, Wendy, Violet, Liza, and Grace who they are.For me this novel is a reminder of who we want to be and how hard sometimes it is to be that person. It heralds the importance of family of connection and of forgiveness.It is 600+ pages but when I realized I was at the ending, I wanted more.This is a family love story filled with all the twists and turns of family
Wholesome Story
We read this book in our book club. This is a book I wouldn’t normally read. It was a slower read, but I felt like it paid off! It was such a wholesome story. As a mother with adult children, I could relate to this in different ways. Everyone’s perspective is different and two people can have the same experience but two totally different perspectives on what happened. As the book goes on, another layer of each character is revealed. It’s not a typical happy-ending, which I did like, but want more of what happens with Jonah. I really enjoyed the book and think it opens the door to many good discussions on life, family and love!
Very long and slow, but character driven
Gosh, I found this book very, very long and the farther I got into it, the more compelled I felt to finish it...But, more from a sense of the time I'd put in to reading it than a need to find out what happens.I did find the characters fleshed out by about 75ish pages in (it's difficult learning and keeping up with a large family of 6, plus partners, plus kids) and while I felt like some of their choices were simply down right *mean*, I enjoyed everyone's overall story arc.The pacing was slow, like a long slag through these people's deepest histories that we, as readers, *need* to know to understand the present. Not sure all of the backstory was necessary; or a lot of the present story?This is a tale of family life; lived, raw, realistic, committed, ugly—and growing.But man, was that a huge, huge read for not a whole terrible lot to happen in. It had it's cliff hanger moments, but in the way real life does. Only 3 choices in 625 pages really intrigued me as, "wow, I can't believe she is doing this! I need to know more."It's not a bad read though, if you've got the time and you're looking for something slow, easy, and generally realistic about the skeletons a family can keep in their closets.
Loved this book!
I liked the different characters and their own stories which the author depicted in great detail adding another dimension to the saga of the two main characters.
A good story
I generally enjoyed the story of a family whose 4 girls have multiple issues despite having parents who are deeply in love, even into later life.My problem with this book is the constant wordiness - descriptions, conversations, back stories, etc. I found myself skipping ahead many times. It's a very long book, but would be much shorter if she kept her, especially conversations, much shorter.I also hated how Jonah, a good natured boy who only wanted a family, and seemed very happy to find his, was treated with disdain or indifference by everyone but David and Marilyn. I thought the girls would come to their senses eventually, and welcome him into the family.
Stunning!
This isn't a book you read for entertainment. This is the type of book you read to remind yourself what it is to be human. To connect on another level to humanity itself. To recognize little pieces of yourself in the stories of others: the bright pieces, and the dark ones too. It teaches you things you don't even realize you're learning. It's not a surface level book - it reaches deep parts of you that are often forgotten or neglected. It's a revelation.The tangled web of emotional turmoil within the Sorenson family is taut with tension. The steadfast love between Marilyn and David produced four beautiful daughters who are grown now and living their own lives. Wendy, the girl who was always too much as a child grew into a woman all too acquainted with grief. Violet, the good girl, has a picture-perfect life complete with two point five kids and a loving husband. Liza, the third child often forgotten in the chaos of her two older sisters, is still struggling to find purpose. And Grace, the baby, is being crushed by great expectations pressured by the weight of the family who all came before her. But when a fifteen-year-old secret walks back into their lives, the effects ripple through them all, bringing many old hurts and hidden feelings to a much-needed reckoning.Lives are shaped by the butterfly effect. One little moment leads to the next, leads to the next. On and on we go. An overheard and misunderstood conversation can plant the seed that sets roots of anxiety and doubt deep in the psyche of a young girl. An avoided occasion can set long-burning embers of animosity to light that sizzle and pop for decades. Actions have consequences, and they won't always be the ones you expect to confront.The narrative is presented in a constant flow of the now and the before, exploring family experiences from multiple sides, because when things happen in a family, it isn't only about one person. Everything affects everyone, to different degrees. Not only did I find it engaging all the way through, by the time we arrived at certain landmarks in the family history, I found myself simultaneously surprised and satisfied. We're given so much context to understand the complex feelings between the family members. It feels real. It feels like the Sorenson's are out there somewhere, having lived these lives we get to read about.I don't even know how you write a book this bold and beautiful. The complexity that is the Sorenson family is at once romantic and heartbreaking and tender and sometimes so cliche in a way that is simply human nature. Children are born with personalities, and they will cause tension and conflict and love and joy too. This family isn't broken, but it isn't perfect either. They are bound by love, in both the best and worst ways, and Lombardo highlights them both with skilled artistry.I loved this book in the most surprising way, and I will cherish this experience of reading it for the first time as long as I can, because I know it won't be the last.
Buen libro
Me gustó
i wish i could keep on reading
this was such a great book, a lovely story! i was sad to read the last page. thank you! during a difficult time in our world a few beautiful days of reading.
entertaining and distracting
This is a captivating novel about the lives, struggles and relationships between the members of the Sorensen family - the parents, the four daughters and one of the daughter's illegitimate son. It is told from the perspective of all seven characters throughout several decades from the 1970's to the present. I was really captivated by the story and it made me think about my own family.
I adored this story
ISA TALKS ABOUT...Lisa Talks About…LOST IN A BOOK SOMEWHERE. SEND TEA.15TH AUGUST 2019REVIEW: THE MOST FUN WE EVER HAD BY CLAIRE LOMBARDOTitle:The Most Fun We Ever HadAuthor: Claire LombardoPages: 544 PagesPublisher: Doubleday BooksThe BlurbWhen Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that’s to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she’s not sure she wants by a man she’s not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents’.As the novel moves through the tumultuous year following the arrival of Jonah Bendt–given up by one of the daughters in a closed adoption fifteen years before–we are shown the rich and varied tapestry of the Sorensons’ past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo’s debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family’s becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.The ReviewOh wow. Claire Lombardo’s book The Most Fun We Ever Had is a modern day sweeping family saga filled with drama, mystery, intrigue, and love.The Most Fun We Ever Had focuses on the Connolly family: the parents, four daughters, and the assortment of grandchildren. It looks at the way in which we can never really fully know the people who we are most close to. We are only really allowed to know what the individual person allows us to know. It shows us how secrets can never be kept fully hidden; how eventually we will have to deal with the demons of our past.It shows how fragile relationships between the ones you love can be. How loving someone doesn’t necessarily mean you have to like them.Lombardo really has got inside the nooks and crannies of family life. She shows the nuances and drama can be both big and small and still have a massive impact.The Most Fun We Ever Had is a novel to get fully invested in. It has the making of a Netflix series written all over it. Come on Reese Witherspoon – get this book optioned.The Most Fun We Ever Had by Claire Lombardo is available now.
American family drama
I found this story slow to get involved in BUT there is so much going on. Everything became very gripping. Once in I didn’t want the book to finish. Even though it was definitively American, as the stories continued they could have been from any country. Loved it
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The Most Fun We Ever Had (Reese's Book Club Pick): A Novel
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Visit the Claire Lombardo (Author) Store
The Most Fun We Ever Had (Reese's Book Club Pick): A Novel

AED8987
Quantity:
Order today to get by 7-14 business days
Delivery fee of AED 20. Free for orders above AED 200.
Imported From: United States
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
Editorial Reviews
Review
"A rich, engrossing family saga, spiked with sisterly malice...[rendered] with such skill and finely tuned interest that it feels like a quiet subversion of the traditional family saga."
—The New York Times Book Review
"Ambitious and brilliantly written."
—Jane Smiley, The Washington Post
“If ever there were to be a literary love child of Jonathan Franzen and Anne Tyler, then Claire Lombardo’s outstanding debut, which ranges from ebullience to despair by way of caustic but intense familial bonds, would be a worthy offspring…This is a novel epic in scope—emotionally, psychologically and narratively. Combining a broad thematic canvas with impressive emotional nuance, it’s an assured and highly enjoyable debut.”
—The Guardian
“An assured first novel…The fun—well, that’s in the reading of the novel, which nicely blends comedy with pathos and the sharp- with the soft-edged.”
—Wall Street Journal
“The Most Fun We Ever Had is a remarkable first-time novel offering such an intimate picture of people’s interior lives I feel as if every one of these characters is now a close friend. Lombardo has the remarkable ability to delve into people’s minds so deeply that the most quotidian moments become utterly fascinating."
—Ruth Reichl, Los Angeles Times
“A wonderfully immersive read that packs more heart and heft than most first novels…A deliciously absorbing novel with—brace yourself—a tender and satisfyingly positive take on family.”
—NPR
“The big family saga of the summer, unfurling the fallout of a long-buried secret and persisting rivalries between four sisters across 50 transformative years.”
—EW
“A sprawling, enchanting debut, this novel jumps back and forth across time to tell the story of one powerful, complicated, and utterly unforgettable family as they navigate love and loss.”
—Town and Country
"This juicy saga spans more than four decades…You’ll be glad this loopy family isn’t yours, but reading about them is a treat.”
—People Magazine
“[A] satisfying multicourse feast.”
—O Magazine
“A rich, complex family saga.”
—USA Today
“[A] brilliant debut.”
—PopSugar
“A sharp, sly family story of feminine guile and guilt...A fun and brimming tale...Divine.”
—Kirkus Reviews
“Lombardo captures the complexity of a large family with characters who light up the page with their competition, secrets, and worries…A rich and rewarding family saga.”
—Publishers Weekly
“A family epic…It resembles other sprawling midwestern family dramas, like Jonathan Franzen's The Corrections (2001)…The result is an affectionate, sharp, and eminently readable exploration of the challenges of love in its many forms.”
—Booklist
“A sprawling drama that explores the maelstrom of love, resentment and tension of the nuclear family, and the ways in which a shared history can affect the future for years…Covering 40 years of Sorenson family strengths and foibles, The Most Fun We Ever Had is a classy but juicy read that always has one more surprise up its sleeve.”
—Shelf Awareness
"Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand."
—Rebecca Makkai, author of The Great Believers
"In The Most Fun We Ever Had, Claire Lombardo has given us a truly unforgettable American family. The book bristles on every page with intelligence and fierce wit. What a debut!"
—Richard Russo, author of That Old Cape Magic and Chances Are…
“Lombardo's impressive debut is a gripping and poignant ode to a messy, loving family in all its glory. She juggles a huge cast of characters with seeming effortlessness, bringing each to life with humor, vividness and acute psychological insight.”
—Madeline Miller, New York Times bestselling author of Circe
“What a splendid, spacious, gripping novel Claire Lombardo has written. These pages sparkle with wit and wisdom. I love the four difficult Sorenson daughters, each in the grip of her own emergencies. The Most Fun We Ever Had is a gorgeous and profound debut.”
—Margot Livesey, author of Mercury
“Remarkably alive and wise, Claire Lombardo's story of the Sorensons is a stunning vision--not just of family or love, but the funny, tender mystery of human connection itself, with all its intensity, charm, and wonder.”
—Affinity Konar, author of Mischling
“Lombardo has a wry, often spiky humour and tightly written style that should appeal to fans of Maria Semple, Emma Straub and Jennifer Egan…A moving, immersive, often very funny study of family and sisterhood.”
—Times UK
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Offspring
April 15, 2000
Sixteen years earlier
Other people overwhelmed her. Strange, perhaps, for a woman who’d added four beings to the universe of her own reluctant volition, but a fact nonetheless: Marilyn rued the inconvenient presence of bodies, bodies beyond her control, her understanding; bodies beyond her favor. She rued them now, from her shielded spot beneath the ginkgo tree, where she was hiding from her guests. She’d always had that knack for entertaining, but it drained her, fully, time and time again, decades of her father’s wealthy clients and her husband’s humorless colleagues; of her children’s temperamental friends; of her transitory neighbors and ever-shifting roster of customers. And yet, today: a hundred-odd near strangers in her backyard, humans in motion, staying in motion, formally clad; tipsy celebrants of the union of her eldest daughter, Wendy, people who were her responsibility for this evening, when she already had so much on her plate—not literally, for she’d neglected to take advantage of the farm-fresh menu spread over three extra-long card tables, but elementally—four girls for whose presences she was biologically and socially responsible, polka-dotting the lawn in their summer pastels. The fruits of her womb, implanted repeatedly by the sweetness of her husband, who was currently nowhere to be found. She’d fallen into motherhood without intent, producing a series of daughters with varying shades of hair and varying degrees of unease. She, Marilyn Sorenson, née Connolly—a resilient product of money and tragedy, from dubious socioemotional Irish-Catholic lineage but now, for all intents and purposes, as functional as they come: an admirably natural head of dirty-blond hair, marginally conversant in both literary criticism and the lives of her children, wearing a fitted forest green sheath that exposed the athletic curve of her calves and the freckled landscape of her shoulders. People kept referring to her with great drama as the mother of the bride, and she was trying to act the part, trying to pretend that she wasn’t focused almost exclusively on the well-being of her children, none of whom, that particular evening, seemed to be thriving.
Maybe normalcy skipped a generation, like baldness. Violet, her second-born, a striking brunette in silk chiffon, had uncharacteristically reeked of booze since breakfast. Wendy was always cause for concern, despite seeming less beleaguered today, owing either to the fact that she’d just married a man who had bank accounts in the Caymans or to the fact that this man was, as she vocally professed, “the love of her life.” And Grace and Liza, nine years apart but both maladjusted, the former a shy, stunted soon-to‑be second-grader and the latter about to friendlessly finish her sophomore year of high school. How could you grow people inside your own body, sprout them from your own extant materials, and suddenly be unable to recognize them?
Normalcy: it bore a second look, sociologically speaking.
Gracie had found her beneath the ginkgo. Her youngest was almost seven, an insufferable age, aeons from leaving the household, still childish enough that she’d tried to slip into their bed in the middle of the previous night, which wouldn’t have been that big of a deal had her parents been clothed at the time. Anxiety did something to Marilyn, always had, drew her magnetically to the animal comfort of her husband.
“Sweetheart, why don’t you go find—” She hesitated. The only other children at the wedding were toddlers and she didn’t specifically want to encourage Grace’s already-burgeoning antisocial love of dogs by suggesting that she go play with Goethe, but she wanted a moment to herself, just a few seconds to breathe in the cooling air of early evening. “Go find Daddy, love.”
“I can’t find him,” Grace said, the hint of a baby voice blunting her vowels.
“Well, look harder.” She bent to kiss her daughter’s hair. “I need a minute, Goose.”
*
Grace moved off. She’d already checked on Wendy. Already swung on the porch swing with Liza until her sister had been distracted by a boy wearing sneakers with his wedding suit; already convinced Violet to share four sips of champagne from her fancy glass flute. She was out of people to check on.
It was strange to have to share her parents with others this weekend, to have her sisters back around the house on Fair Oaks. Her father sometimes called her the “only only-child in the world who has three sisters.” She resented, slightly, her sisters homing in on her territory. She soothed herself as she always did, with the company of Goethe, curling up with him beneath the purple flower bushes and running her hand through his bristly fur, the part of his butt that looked like it had been permed.
*
Liza felt a little bad, seeing her younger sister finding solace in the dog while she herself was finding solace inside a stranger’s mouth, but the groomsman emanated a smoky vapor of whiskey and arugula and he was doing something with his fingers to the inside of her thigh that made her turn her head away, deciding that Grace could fend for herself, that it wasn’t possible to learn that skill too early.
“Tell me about you,” the groomsman said, his knuckles grazing the lacy insignificance of the thong she’d worn in the hopes of exactly such an occasion.
“What do you want to know?” she asked. It came out sounding kind of hostile. She’d never quite mastered being flirtatious.
“There’s four of you?” he asked. “What’s that like?”
“It’s a vast hormonal hellscape. A marathon of instability and hair products.”
He smiled, confused, and she leaned forward boldly and kissed him.
*
Violet had never been quite so drunk, sitting slumped, alone, at one of the tables, from which she supposed she’d driven the other guests. The previous night came to her in fizzy episodic sunbursts: the bar that used to be a bowling alley; her blue-eyed companion with his double-jointed elbows, the athletic clasp of his thighs, the back of his mother’s station wagon; how she’d made sounds she did not recognize at first as coming from her own throat, porn star sounds, primal groans. How he came first—she’d later felt him dripping out of her, when they climbed back into the front seat—and then made her, with a deft attention to detail, come as well, for the first time in her life. And how she’d made him drop her a block away from her parents’ house lest Wendy be still awake.
She watched Wendy, wearing sweetheart-neck Gucci at her backyard wedding to an old-money academic, being spun in circles by her new husband to “You Can’t Hurry Love.” Her sister had, for the first time, surpassed her, success-wise. She was blithe and beautiful and twirling in circles while Violet was drunk past the point of physical comfort, gnawing at a full loaf of catered focaccia, rubbing the oil on the underside of her skirt. But she felt herself smiling a little at Wendy, at oblivious Wendy getting grass stains on her satin train. Imagined going over to her sister and whispering in her ear, You’d die if you knew where I was last night.
*
Wendy watched as Miles, throwing an apologetic smile at her over his shoulder, was pulled away from her by his toddler cousin, their ringbearer, who had solicited his accompaniment to the cake table.
“There’s some good daddy training happening over there,” someone said, taking her by the elbow. It was a guest from Miles’s side, possibly someone’s real estate broker, a silicone goblin of a woman. The people on the lawn at present were probably collectively worth more than the GDP of a midsize country. “It’s good you’re so young. Plenty of time to flesh out the family tree.”
It seemed a crass thing to say for a variety of reasons, so Wendy responded in kind: “Who says I want to split up my share among a bunch of kids?”
The woman looked horrified, but Wendy and Miles lived for these jokes, were allowed to make these jokes because neither of them gave a fuck if people thought Wendy was a gold digger; all that mattered was what they knew to be true, which was that she’d never loved another person as fiercely as she did Miles Eisenberg, and he, by some grand cosmic miracle, loved her back. She was an Eisenberg now. In the top thirty, at least, of the wealthiest families in Chicago. She could fuck with whomever she wanted.
“It’s my plan to outlive everyone and spend my days reveling in a disgusting level of opulence,” she said. And she rose from her seat and went to straighten her new husband’s tie.
*
The trees, David noted, were at burgeoning that day, big prodigious leaves making dancing shadows across the grass, which they’d tried to keep the dog off of for the sake of aesthetic preservation, David and Marilyn rising early in the mornings and pulling on raincoats over their pajamas to walk him instead of just opening the back door like they normally did. David watched as the rented tables and chairs wore their grooves into the pristine lawn, legs melon-balling the expensively fertilized sod in a way that made his gut churn. Goethe was now roaming around the yard like a recently released convict, traversing the verdant grounds with the proprietary confidence of a horticulturist. David took a breath of damp air—was rain coming? It might make the guests leave sooner—and marveled over the sheer number of people that could accumulate in a lifetime, the number of faces in his yard that he didn’t recognize. He thought of Wendy as a toddler, when they lived in Iowa, creeping onto the porch where he and Marilyn rocked together in the rickety cedar swing, fitting herself neatly between them and murmuring, already drifting back to sleep, You’re my friends. He was nearly overcome, standing there, feeling as out-of-place as he had a quarter of a century ago, before they’d married, a chilly December night when Marilyn had lain against his chest beneath the ginkgo. He did a visual sweep, eyes blurring the sea of pale spring colors until he found his wife, a tiny ballast of forest green: hiding beneath that very same ginkgo. He slipped along the fence until he came to her, and reached out an imploring hand to the small of her back. She leaned instinctively into it.
“Come with me,” he said, and led her around the trunk, into the shade, where he pulled her to him and buried his face in her hair.
“Sweetheart,” she said, worried. “What is it?”
He pressed his face into the crook of her neck, breathing in the faint dry warmth of her scent, lilacs and Irish Spring. “I missed you,” he said into her clavicle.
“Oh, love.” She tightened her embrace, tilted his chin until he met her eyes. He kissed her mouth, and then her cheekbone and her forehead and the inlet of her jaw where he could feel her pulse, and then her mouth again. She was smiling, lips a flushed feverish plum, and then she was kissing him back, the periphery blurring away. The thing that would always mean more than everything else: the goldish warmth of his wife, the heat of their mutual desperation; two bodies finding solace in the only way they knew how, through the language of lips, his hands along her spine, her spine against the tree trunk, the resultant quiet that occurred when they came together, until she pulled away, smiled up at him and said, “Just don’t let the girls catch us,” before she buried herself once again against him.
*
But of course they saw. All four of the girls watched their parents from disparate vantage points across the lawn, each alerted initially to their absence from the reception by that pull, a vestigial holdover from childhood, seeking the cognitive comfort that came from the knowing, the geolocation, the proximity of those who’d created you, those who would always feel beholden to you, no matter what; each of their four daughters paused what she was doing in order to watch them, the shining unfathomable orb of their parents, two people who emanated more love than it seemed like the universe would sanction.
Reviews:
Truly The Most Fun I’ve Ever Had
Wow! Lombardo’s wit and wisdom pours out of the Sorenson family — the flaws, the faults, the feelings. Impeccably written and easy to read, I thoroughly enjoyed the story. I generally am not a fan of novels told in different years scattered among the chapters but this works and it helps us slowly unfold the layers that make David, Marilyn, Wendy, Violet, Liza, and Grace who they are.For me this novel is a reminder of who we want to be and how hard sometimes it is to be that person. It heralds the importance of family of connection and of forgiveness.It is 600+ pages but when I realized I was at the ending, I wanted more.This is a family love story filled with all the twists and turns of family
Wholesome Story
We read this book in our book club. This is a book I wouldn’t normally read. It was a slower read, but I felt like it paid off! It was such a wholesome story. As a mother with adult children, I could relate to this in different ways. Everyone’s perspective is different and two people can have the same experience but two totally different perspectives on what happened. As the book goes on, another layer of each character is revealed. It’s not a typical happy-ending, which I did like, but want more of what happens with Jonah. I really enjoyed the book and think it opens the door to many good discussions on life, family and love!
Very long and slow, but character driven
Gosh, I found this book very, very long and the farther I got into it, the more compelled I felt to finish it...But, more from a sense of the time I'd put in to reading it than a need to find out what happens.I did find the characters fleshed out by about 75ish pages in (it's difficult learning and keeping up with a large family of 6, plus partners, plus kids) and while I felt like some of their choices were simply down right *mean*, I enjoyed everyone's overall story arc.The pacing was slow, like a long slag through these people's deepest histories that we, as readers, *need* to know to understand the present. Not sure all of the backstory was necessary; or a lot of the present story?This is a tale of family life; lived, raw, realistic, committed, ugly—and growing.But man, was that a huge, huge read for not a whole terrible lot to happen in. It had it's cliff hanger moments, but in the way real life does. Only 3 choices in 625 pages really intrigued me as, "wow, I can't believe she is doing this! I need to know more."It's not a bad read though, if you've got the time and you're looking for something slow, easy, and generally realistic about the skeletons a family can keep in their closets.
Loved this book!
I liked the different characters and their own stories which the author depicted in great detail adding another dimension to the saga of the two main characters.
A good story
I generally enjoyed the story of a family whose 4 girls have multiple issues despite having parents who are deeply in love, even into later life.My problem with this book is the constant wordiness - descriptions, conversations, back stories, etc. I found myself skipping ahead many times. It's a very long book, but would be much shorter if she kept her, especially conversations, much shorter.I also hated how Jonah, a good natured boy who only wanted a family, and seemed very happy to find his, was treated with disdain or indifference by everyone but David and Marilyn. I thought the girls would come to their senses eventually, and welcome him into the family.
Stunning!
This isn't a book you read for entertainment. This is the type of book you read to remind yourself what it is to be human. To connect on another level to humanity itself. To recognize little pieces of yourself in the stories of others: the bright pieces, and the dark ones too. It teaches you things you don't even realize you're learning. It's not a surface level book - it reaches deep parts of you that are often forgotten or neglected. It's a revelation.The tangled web of emotional turmoil within the Sorenson family is taut with tension. The steadfast love between Marilyn and David produced four beautiful daughters who are grown now and living their own lives. Wendy, the girl who was always too much as a child grew into a woman all too acquainted with grief. Violet, the good girl, has a picture-perfect life complete with two point five kids and a loving husband. Liza, the third child often forgotten in the chaos of her two older sisters, is still struggling to find purpose. And Grace, the baby, is being crushed by great expectations pressured by the weight of the family who all came before her. But when a fifteen-year-old secret walks back into their lives, the effects ripple through them all, bringing many old hurts and hidden feelings to a much-needed reckoning.Lives are shaped by the butterfly effect. One little moment leads to the next, leads to the next. On and on we go. An overheard and misunderstood conversation can plant the seed that sets roots of anxiety and doubt deep in the psyche of a young girl. An avoided occasion can set long-burning embers of animosity to light that sizzle and pop for decades. Actions have consequences, and they won't always be the ones you expect to confront.The narrative is presented in a constant flow of the now and the before, exploring family experiences from multiple sides, because when things happen in a family, it isn't only about one person. Everything affects everyone, to different degrees. Not only did I find it engaging all the way through, by the time we arrived at certain landmarks in the family history, I found myself simultaneously surprised and satisfied. We're given so much context to understand the complex feelings between the family members. It feels real. It feels like the Sorenson's are out there somewhere, having lived these lives we get to read about.I don't even know how you write a book this bold and beautiful. The complexity that is the Sorenson family is at once romantic and heartbreaking and tender and sometimes so cliche in a way that is simply human nature. Children are born with personalities, and they will cause tension and conflict and love and joy too. This family isn't broken, but it isn't perfect either. They are bound by love, in both the best and worst ways, and Lombardo highlights them both with skilled artistry.I loved this book in the most surprising way, and I will cherish this experience of reading it for the first time as long as I can, because I know it won't be the last.
Buen libro
Me gustó
i wish i could keep on reading
this was such a great book, a lovely story! i was sad to read the last page. thank you! during a difficult time in our world a few beautiful days of reading.
entertaining and distracting
This is a captivating novel about the lives, struggles and relationships between the members of the Sorensen family - the parents, the four daughters and one of the daughter's illegitimate son. It is told from the perspective of all seven characters throughout several decades from the 1970's to the present. I was really captivated by the story and it made me think about my own family.
I adored this story
ISA TALKS ABOUT...Lisa Talks About…LOST IN A BOOK SOMEWHERE. SEND TEA.15TH AUGUST 2019REVIEW: THE MOST FUN WE EVER HAD BY CLAIRE LOMBARDOTitle:The Most Fun We Ever HadAuthor: Claire LombardoPages: 544 PagesPublisher: Doubleday BooksThe BlurbWhen Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that’s to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she’s not sure she wants by a man she’s not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents’.As the novel moves through the tumultuous year following the arrival of Jonah Bendt–given up by one of the daughters in a closed adoption fifteen years before–we are shown the rich and varied tapestry of the Sorensons’ past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo’s debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family’s becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.The ReviewOh wow. Claire Lombardo’s book The Most Fun We Ever Had is a modern day sweeping family saga filled with drama, mystery, intrigue, and love.The Most Fun We Ever Had focuses on the Connolly family: the parents, four daughters, and the assortment of grandchildren. It looks at the way in which we can never really fully know the people who we are most close to. We are only really allowed to know what the individual person allows us to know. It shows us how secrets can never be kept fully hidden; how eventually we will have to deal with the demons of our past.It shows how fragile relationships between the ones you love can be. How loving someone doesn’t necessarily mean you have to like them.Lombardo really has got inside the nooks and crannies of family life. She shows the nuances and drama can be both big and small and still have a massive impact.The Most Fun We Ever Had is a novel to get fully invested in. It has the making of a Netflix series written all over it. Come on Reese Witherspoon – get this book optioned.The Most Fun We Ever Had by Claire Lombardo is available now.
American family drama
I found this story slow to get involved in BUT there is so much going on. Everything became very gripping. Once in I didn’t want the book to finish. Even though it was definitively American, as the stories continued they could have been from any country. Loved it
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