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The Testaments: A Novel (The Handmaid's Tale)

Description:

NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE A modern masterpiece that "reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale.  

“Atwood’s powers are on full display” (
Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood. 
 
More than fifteen years after the events of
The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.
 
Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia.  Her complex past and uncertain future unfold in surprising and pivotal ways.
 
With
The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.


Editorial Reviews

Review

“A chilling invitation no Atwood fan can resist . . . The Testaments reminds us of the power of truth in the face of evil.”
People
 
“Margaret Atwood’s powers are on full display . . . Everyone should read
The Testaments.”
Los Angeles Times
 
“A fast, immersive narrative that’s as propulsive as it is melodramatic.”
—Michiko Kakutani, The New York Times
 
The Testaments is worthy of the literary classic it continues. That’s thanks in part to Atwood’s capacity to surprise, even writing in a universe we think we know so well.”
USA Today
 
“The women of Gilead are more fascinating than ever.”
—NPR
 
“There may be no novelist better suited to tapping the current era’s anxieties than Margaret Atwood.”
Entertainment Weekly
 
“Powerful, revealing, and engaging.”

—The Boston Globe
 
“A rare treat . . . a corker of a plot, culminating in a breathless flight to freedom.”
—Laura Miller, Slate

About the Author

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the MaddAddam trilogy. Her 1985 classic, The Handmaid’s Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and won the Booker Prize. In 2020 she published Dearly, her first collection of poetry for a decade.
 
Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Reviews:

5.0 out of 5 stars A Powerful Return to Gilead: The Testaments by Margaret Atwood

A. · July 5, 2025

I absolutely loved The Testaments. As a sequel to The Handmaid’s Tale, it exceeded my expectations: richly layered, fast-paced, and deeply satisfying. Atwood masterfully returns to the world of Gilead, not to repeat the past but to expand it, giving us new perspectives and, finally, a sense of possibility.Told through the voices of three women, including the formidable Aunt Lydia, we get an inside look at the regime’s inner workings and its cracks. Each narrative adds depth and urgency, and I found myself racing through the chapters, eager to see how their stories would converge.While The Handmaid’s Tale left us in suspense, The Testaments offers a sense of resolution without losing the sharp critique and moral complexity that made the original so powerful. Atwood doesn’t just revisit Gilead: she reshapes it.This sequel felt both timely and timeless, and I truly couldn’t put it down. For fans of The Handmaid’s Tale, it is not just a worthy follow-up: it’s essential.

5.0 out of 5 stars Popcorn and candy bars OR filet mignon?

R.K.H. · September 30, 2019

Popcorn and candy bars, or filet mignon -- which do you prefer?Of course that’s something of a ridiculous question. If you’re like me, you love both, and they both are excellent treats, not meant for daily consumption. However, sometimes popcorn and candy bars make more sense, and junky food like that is what you want, and at other times filet mignon is what’s needed to make your soul complete.I don’t know exactly what I was expecting from this sequel to The Handmaid’s Tale. It was a good read, and I raced through it, but it felt like eating popcorn and candy bars, whereas reading The Handmaid's Tale feels like eating filet mignon. Atwood is undoubtedly in a very different place now (along with the entire world) than when The Handmaid's Tale was written back in the 1980’s, and I have to imagine that has something to do with it, but The Testaments feels very direct and plot-driven, whereas The Handmaid's Tale was more poetic and ambiguous. Some of that may have to do with the story itself -- June’s story in The Handmaid's Tale was created under circumstances that lent themselves to hiding, ambiguity, and even poetry and lyricism, whereas the accounts of the three women in The Testaments are much more direct, having been made either from a place of power, both known and secret (Aunt Lydia) or from a place of relief and retrospectiveness (Agnes and Nicole).Atwood beautifully begins the three stories as independent tales, but slowly begins to intertwine them in sometimes predictable but also surprising ways. Unlike The Handmaid's Tale, there is more of a real conclusion to the story in this book. It’s so definite that I would be tremendously surprised if there was a third book in this series. It also ends with another Gilead research symposium transcript as at the end of The Handmaid's Tale, which serves to flesh out even more of the ending of the story. However, I wonder if Atwood was being a little sneaky here -- did anyone else notice that these Gilead researchers were spending part of their time playing with Gileadean things, such as the Recreational Gilead Period Hymn Sing and the Period Costume Reenactment Day? It struck me as odd, and I have to wonder if this was Atwood’s way of warning us that even seemingly beneficial fascination with, and study of, historical periods can be like playing with fire, risking planting the seeds of repeating history. It just sounded too much like things like Civil War reenactors and all of that worship of the Civil War era, which is still very much with us today.Also, I was glad to see that Aunt Lydia really did have a soul in this book. We have gotten glimpses of that in the TV show, of course, but I always felt that there was more there, and The Testaments gives some pretty satisfying answers to her motivation, although still on the popcorn level and not that of the filet mignon. The passages recounting the way in which Aunt Lydia became one of the founders of Gilead’s version of a convent were some of the most fascinating and satisfying in the whole book.All in all, this book was well worth the read and I enjoyed it immensely.

4.0 out of 5 stars Great Sequel

D. · June 23, 2025

Great sequel to A Handmaids Tale. It have multiple POVs versus the first book’s single POV. It was an interesting read.

5.0 out of 5 stars A unique, essential sequel that tastefully incorporates the current TV series as canon

T. · September 29, 2019

Not in a very great while have I been able to finish a 400+ page book in 24 hours, which is precisely what happened with "The Testaments". I love reading and am a fairly fast-paced with a good book, but with my day job and my second "professional hobby" as a sound engineer it's very difficult for me to get in 20-30 pages of quality reading in any given day/night. It sadly takes me close to 3-4 weeks each to read fantasy novels like the A Song of Ice and Fire or Wheel of Time series.However...I basically put my life on pause for this book, as soon as I started reading it (and listening to it, more on that in a bit). Having binged "The Handmaid's Tale" series on Hulu earlier this summer and subsequently reading the original 1985 novel, the way this book adds to its previous media (including, very heavily I might add, the TV series) is absolutely delightful. This is an example where the author has the readers'/viewers' interest in mind, and is not just some bombastic continuation of the story just to sell copies.That being said, the book is broken up into 3 sections, all being told retrospectively some years after the last season of "The Handmaid's Tale":1) Aunt Lydia, from her stance as basically the matriarch of Gilead;2) Daisy, a teenager in Toronto during the prime days of Gilead;3) Agnes, who, if you've watched the TV series, you already know who this character is.This book finds itself in a very unique position not common in sequels because of the mixed background of any possible reader. It could stand alone okay, but not nearly as well as serving as the direct follow up to just the novel. But for the ultimate experience - it does fan service to those who have read and watched "The Handmaid's Tale". Because the show still has a little bit to go (who knows how long) the time distance and the plot points set in "The Testaments" surprisingly do not write each other into a corner, but provides even more anticipation for how the entire timeline of Gilead will be explored. It's like the tightening of a fishing line in a pond - you know something's at the end and you're excited to have caught it, but reeling it all in is part of the experience - and that will be the job of the last seasons of the show.There are some great twists and turns in this book as there is in the preceding media, however it is best to leave all detail out. I am going to admit - being the harsh critic that I am - some of the ending does seem a bit forced especially on Aunt Lydia's part and I was able to predict a few things quite far in advance - but I've consumed all the previous media. A few predicable details did not deter me from reading any further, particularly during the beginning it even had a paradoxical effect: enhancing the experience as I turned the pages...or the seconds of the audiobook.In another unique twist of my own accord - I actually started 'The Testaments' with Audible when I was at work (and I typically despise audiobooks unless I'm on a solo road trip) and this is one of those rare exceptions (to me) where the audiobook might be even more compelling than just the text on a page. The main reason: Ann Dowd, the phenomenal actress that plays Aunt Lydia in the TV series, reads her sections in that familiar piously strict voice of hers that we all love to hate from the Show. Bryce Dallas Howard and Mae Whitman also NAIL their respective characters' "voice" and I was sucked into the beginning 10 chapters while crunching numbers at work and I'm so glad I did. It felt more like a radio broadcast than anything else and is part of why I sped through this book. Even if you've read this already, play the audiobook if you have some hours to kill. You won't regret it.If you're a fan of the Gilead alternate universe (let's face it, no one is a fan of Gilead itself...but you know what I mean) then this is essential reading, obviously. If you've only read the novel, I highly suggest watching the entire series (and if you are in the middle of it, you should finish it). The whole is MUCH greater than the sum of its parts, a rare feat for a "mixed media" type of experience.

5.0 out of 5 stars Quick and easy read!

P.D. · October 4, 2025

Definitely worth the read if you’ve watched Handmaid’s Tale and you want to know what follows.

Truly gripping!

A.C. · October 27, 2022

I loved this book! It's been a while since I have read something that I just couldn't put down. The book is fast paced and gives us a glimpse into the lives of women in the fictional town of Gilead. The prequel gave the pov of a handmaid. But The Testaments is a story of two young girls and the famous Aunt Lydia. Despite the story being of a very serious note, it has its lighter moments that makes you smile. Great read!

Justo lo que pedí

G. · March 28, 2024

La guarda llegó un poquito maltratada, pero el resto del libro está en perfectas condiciones.

Livro muito bom

C. · November 7, 2023

Para quem já leu o livro anterior, este é um MUST.

Just what I needed

Q. · August 27, 2025

As much as I loved the Handmaid’s Tale TV show, I always felt the ending left something missing. The book does an amazing job of balancing the dark, oppressive feel of the original while also showing there’s room for change and hope. The pacing is spot on, keeping you hooked without dragging, and the ending totally delivers.

Brilliant

M.R. · October 4, 2025

Having read the book and watched the TV series of The Handmaid’s Tale I felt that I needed some form of closure and the testament provided that.This was a brilliantly written book excellent story and gripping. Thoroughly enjoyable read.

The Testaments: A Novel (The Handmaid's Tale)

Product ID: U0525562621
Condition: New

4.6

AED7962

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

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Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

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The Testaments: A Novel (The Handmaid's Tale)

Product ID: U0525562621
Condition: New

4.6

The Testaments: A Novel (The Handmaid's Tale)-0
Type: Paperback

AED7962

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

NEW YORK TIMES BESTSELLER • WINNER OF THE BOOKER PRIZE A modern masterpiece that "reminds us of the power of truth in the face of evil” (People)—and can be read on its own or as a sequel to Margaret Atwood’s classic, The Handmaid’s Tale.  

“Atwood’s powers are on full display” (
Los Angeles Times) in this deeply compelling Booker Prize-winning novel, now updated with additional content that explores the historical sources, ideas, and material that inspired Atwood. 
 
More than fifteen years after the events of
The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.
 
Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia.  Her complex past and uncertain future unfold in surprising and pivotal ways.
 
With
The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.


Editorial Reviews

Review

“A chilling invitation no Atwood fan can resist . . . The Testaments reminds us of the power of truth in the face of evil.”
People
 
“Margaret Atwood’s powers are on full display . . . Everyone should read
The Testaments.”
Los Angeles Times
 
“A fast, immersive narrative that’s as propulsive as it is melodramatic.”
—Michiko Kakutani, The New York Times
 
The Testaments is worthy of the literary classic it continues. That’s thanks in part to Atwood’s capacity to surprise, even writing in a universe we think we know so well.”
USA Today
 
“The women of Gilead are more fascinating than ever.”
—NPR
 
“There may be no novelist better suited to tapping the current era’s anxieties than Margaret Atwood.”
Entertainment Weekly
 
“Powerful, revealing, and engaging.”

—The Boston Globe
 
“A rare treat . . . a corker of a plot, culminating in a breathless flight to freedom.”
—Laura Miller, Slate

About the Author

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the MaddAddam trilogy. Her 1985 classic, The Handmaid’s Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and won the Booker Prize. In 2020 she published Dearly, her first collection of poetry for a decade.
 
Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Reviews:

5.0 out of 5 stars A Powerful Return to Gilead: The Testaments by Margaret Atwood

A. · July 5, 2025

I absolutely loved The Testaments. As a sequel to The Handmaid’s Tale, it exceeded my expectations: richly layered, fast-paced, and deeply satisfying. Atwood masterfully returns to the world of Gilead, not to repeat the past but to expand it, giving us new perspectives and, finally, a sense of possibility.Told through the voices of three women, including the formidable Aunt Lydia, we get an inside look at the regime’s inner workings and its cracks. Each narrative adds depth and urgency, and I found myself racing through the chapters, eager to see how their stories would converge.While The Handmaid’s Tale left us in suspense, The Testaments offers a sense of resolution without losing the sharp critique and moral complexity that made the original so powerful. Atwood doesn’t just revisit Gilead: she reshapes it.This sequel felt both timely and timeless, and I truly couldn’t put it down. For fans of The Handmaid’s Tale, it is not just a worthy follow-up: it’s essential.

5.0 out of 5 stars Popcorn and candy bars OR filet mignon?

R.K.H. · September 30, 2019

Popcorn and candy bars, or filet mignon -- which do you prefer?Of course that’s something of a ridiculous question. If you’re like me, you love both, and they both are excellent treats, not meant for daily consumption. However, sometimes popcorn and candy bars make more sense, and junky food like that is what you want, and at other times filet mignon is what’s needed to make your soul complete.I don’t know exactly what I was expecting from this sequel to The Handmaid’s Tale. It was a good read, and I raced through it, but it felt like eating popcorn and candy bars, whereas reading The Handmaid's Tale feels like eating filet mignon. Atwood is undoubtedly in a very different place now (along with the entire world) than when The Handmaid's Tale was written back in the 1980’s, and I have to imagine that has something to do with it, but The Testaments feels very direct and plot-driven, whereas The Handmaid's Tale was more poetic and ambiguous. Some of that may have to do with the story itself -- June’s story in The Handmaid's Tale was created under circumstances that lent themselves to hiding, ambiguity, and even poetry and lyricism, whereas the accounts of the three women in The Testaments are much more direct, having been made either from a place of power, both known and secret (Aunt Lydia) or from a place of relief and retrospectiveness (Agnes and Nicole).Atwood beautifully begins the three stories as independent tales, but slowly begins to intertwine them in sometimes predictable but also surprising ways. Unlike The Handmaid's Tale, there is more of a real conclusion to the story in this book. It’s so definite that I would be tremendously surprised if there was a third book in this series. It also ends with another Gilead research symposium transcript as at the end of The Handmaid's Tale, which serves to flesh out even more of the ending of the story. However, I wonder if Atwood was being a little sneaky here -- did anyone else notice that these Gilead researchers were spending part of their time playing with Gileadean things, such as the Recreational Gilead Period Hymn Sing and the Period Costume Reenactment Day? It struck me as odd, and I have to wonder if this was Atwood’s way of warning us that even seemingly beneficial fascination with, and study of, historical periods can be like playing with fire, risking planting the seeds of repeating history. It just sounded too much like things like Civil War reenactors and all of that worship of the Civil War era, which is still very much with us today.Also, I was glad to see that Aunt Lydia really did have a soul in this book. We have gotten glimpses of that in the TV show, of course, but I always felt that there was more there, and The Testaments gives some pretty satisfying answers to her motivation, although still on the popcorn level and not that of the filet mignon. The passages recounting the way in which Aunt Lydia became one of the founders of Gilead’s version of a convent were some of the most fascinating and satisfying in the whole book.All in all, this book was well worth the read and I enjoyed it immensely.

4.0 out of 5 stars Great Sequel

D. · June 23, 2025

Great sequel to A Handmaids Tale. It have multiple POVs versus the first book’s single POV. It was an interesting read.

5.0 out of 5 stars A unique, essential sequel that tastefully incorporates the current TV series as canon

T. · September 29, 2019

Not in a very great while have I been able to finish a 400+ page book in 24 hours, which is precisely what happened with "The Testaments". I love reading and am a fairly fast-paced with a good book, but with my day job and my second "professional hobby" as a sound engineer it's very difficult for me to get in 20-30 pages of quality reading in any given day/night. It sadly takes me close to 3-4 weeks each to read fantasy novels like the A Song of Ice and Fire or Wheel of Time series.However...I basically put my life on pause for this book, as soon as I started reading it (and listening to it, more on that in a bit). Having binged "The Handmaid's Tale" series on Hulu earlier this summer and subsequently reading the original 1985 novel, the way this book adds to its previous media (including, very heavily I might add, the TV series) is absolutely delightful. This is an example where the author has the readers'/viewers' interest in mind, and is not just some bombastic continuation of the story just to sell copies.That being said, the book is broken up into 3 sections, all being told retrospectively some years after the last season of "The Handmaid's Tale":1) Aunt Lydia, from her stance as basically the matriarch of Gilead;2) Daisy, a teenager in Toronto during the prime days of Gilead;3) Agnes, who, if you've watched the TV series, you already know who this character is.This book finds itself in a very unique position not common in sequels because of the mixed background of any possible reader. It could stand alone okay, but not nearly as well as serving as the direct follow up to just the novel. But for the ultimate experience - it does fan service to those who have read and watched "The Handmaid's Tale". Because the show still has a little bit to go (who knows how long) the time distance and the plot points set in "The Testaments" surprisingly do not write each other into a corner, but provides even more anticipation for how the entire timeline of Gilead will be explored. It's like the tightening of a fishing line in a pond - you know something's at the end and you're excited to have caught it, but reeling it all in is part of the experience - and that will be the job of the last seasons of the show.There are some great twists and turns in this book as there is in the preceding media, however it is best to leave all detail out. I am going to admit - being the harsh critic that I am - some of the ending does seem a bit forced especially on Aunt Lydia's part and I was able to predict a few things quite far in advance - but I've consumed all the previous media. A few predicable details did not deter me from reading any further, particularly during the beginning it even had a paradoxical effect: enhancing the experience as I turned the pages...or the seconds of the audiobook.In another unique twist of my own accord - I actually started 'The Testaments' with Audible when I was at work (and I typically despise audiobooks unless I'm on a solo road trip) and this is one of those rare exceptions (to me) where the audiobook might be even more compelling than just the text on a page. The main reason: Ann Dowd, the phenomenal actress that plays Aunt Lydia in the TV series, reads her sections in that familiar piously strict voice of hers that we all love to hate from the Show. Bryce Dallas Howard and Mae Whitman also NAIL their respective characters' "voice" and I was sucked into the beginning 10 chapters while crunching numbers at work and I'm so glad I did. It felt more like a radio broadcast than anything else and is part of why I sped through this book. Even if you've read this already, play the audiobook if you have some hours to kill. You won't regret it.If you're a fan of the Gilead alternate universe (let's face it, no one is a fan of Gilead itself...but you know what I mean) then this is essential reading, obviously. If you've only read the novel, I highly suggest watching the entire series (and if you are in the middle of it, you should finish it). The whole is MUCH greater than the sum of its parts, a rare feat for a "mixed media" type of experience.

5.0 out of 5 stars Quick and easy read!

P.D. · October 4, 2025

Definitely worth the read if you’ve watched Handmaid’s Tale and you want to know what follows.

Truly gripping!

A.C. · October 27, 2022

I loved this book! It's been a while since I have read something that I just couldn't put down. The book is fast paced and gives us a glimpse into the lives of women in the fictional town of Gilead. The prequel gave the pov of a handmaid. But The Testaments is a story of two young girls and the famous Aunt Lydia. Despite the story being of a very serious note, it has its lighter moments that makes you smile. Great read!

Justo lo que pedí

G. · March 28, 2024

La guarda llegó un poquito maltratada, pero el resto del libro está en perfectas condiciones.

Livro muito bom

C. · November 7, 2023

Para quem já leu o livro anterior, este é um MUST.

Just what I needed

Q. · August 27, 2025

As much as I loved the Handmaid’s Tale TV show, I always felt the ending left something missing. The book does an amazing job of balancing the dark, oppressive feel of the original while also showing there’s room for change and hope. The pacing is spot on, keeping you hooked without dragging, and the ending totally delivers.

Brilliant

M.R. · October 4, 2025

Having read the book and watched the TV series of The Handmaid’s Tale I felt that I needed some form of closure and the testament provided that.This was a brilliantly written book excellent story and gripping. Thoroughly enjoyable read.

Similar suggestions by Bolo

More from this brand

Similar items from “Horror”