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Audio-Vision: Sound on Screen

Description:

Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately―we audio-view a trans-sensory whole.

In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.”
Audio-Vision shows us that sound is driving the creation of a sensory cinema.

This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.


Editorial Reviews

Review

An original and useful model for the audiovisual analysis of film. ― Production Expert

Updated and expanded, with additional material from recent film production, the 2019 edition of
Audio-Vision will soon take its place as a valuable textbook for those interested in literary research and practice of cinematic soundtrack. -- Dr. Nick Poulakis ― CINEJ Cinema Journal

Without a shadow of a doubt one of the best books I have ever read,
Audio-Vision’s reprinting is a cause for great celebration. After a quarter of a century, it remains the first port of call for scholars and students of audiovisual culture, offering a cornucopia of theories that conceptualize sound's relationship with the moving image. Never less than enthralling, its acuity has not been dulled by more recent theory and scholarship. -- K. J. Donnelly, author of Occult Aesthetics: Synchronization in Sound Film

When
Audio-Vision first appeared in 1994, it became a lifeline for the burgeoning field of sound/media studies, providing a veritable roadmap to a discourse just beginning to crystallize. The second edition is no less momentous; Chion seamlessly brings current cinematic offerings into his theoretical purview, showing that his understanding of the filmic soundspace is as insightful to historians, theorists, and students as ever. A fundamental text for soundtrack studies. -- Daniel Goldmark, author of Tunes for 'Toons: Music and the Hollywood Cartoon

Michel Chion’s work is a thrilling exploration of film sound in all its forms: real and symbolic, technical and conceptual, dimensional and suggestive. He gives us all the tools we need for describing what films allow us to hear. Chion’s many neologisms are like notes that can reverberate infinitely for every filmgoer, and through innumerable films. This revised edition of
Audio-Vision is a new benchmark for any film scholar. -- Elsie Walker, author of Understanding Sound Tracks Through Film Theory

About the Author

Michel Chion is an independent scholar, composer, filmmaker, and teacher. He is the author of more than thirty books on sound, music, and film, including The Voice in Cinema (Columbia, 1999), Film, a Sound Art (Columbia, 2009), and Words on Screen (Columbia, 2017).

Claudia Gorbman is professor emerita of film studies at the University of Washington, Tacoma. She has written widely about film sound and music and has translated five books by Michel Chion.

Walter Murch has been repeatedly honored by both the British and American Motion Picture Academies for his sound design and picture editing. He has received special recognition for his work in
The Godfather, The Conversation, Apocalypse Now, and The English Patient.

Reviews:

5.0 out of 5 stars Poetic and inspiring (but Kindle version could be improved)

K. · January 29, 2021

The updated 2nd English language edition of this classic - which contains more examples from non-Western films (a gap in the original edition), text that is more focused in places (with some judicious cuts), and some clarifications in the translation.For academic use, this important book deserves a better Kindle edition. This Kindle version doesn't have real page numbers. And in Bolo's Kindle Cloud Reader (which really seems antiquated) you can't even copy/paste words or phrases the way you can in the Kindle device or the iPad app version. This makes it really cumbersome to take notes / quote / cite. Please update these features for those of us who have purchased the Kindle version. Thanks!

Um clássico sobre o que "audiovemos"!

Z.F. · November 24, 2021

Refletindo questões técnicas e subjetivas, o presente livro aponta para a reciprocidade entre o que ouvimos e o que vemos enquanto espectadores de produções cinematográficas e televisivas. Isso posto, trata-se de um clássico: escrito de forma clara e bem fundamentada, sendo indispensável para pesquisadores que se debruçam sobre o estudo do som nas referidas produções. De maneira muito lúcida o texto nos fornece argumentos, terminologias e exemplos consistentes para que aprimoremos nossa capacidade de fruição e de análise. Os acréscimos para esta edição – explicitados na própria sinopse – são muito bem-vindos, apenas reforçando que estamos diante de uma obra única.

Audio-Vision: Sound on Screen

Product ID: U0231185898
Condition: New

4.8

AED24854

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Order today to get by 7-14 business days

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Audio-Vision: Sound on Screen

Product ID: U0231185898
Condition: New

4.8

Audio-Vision: Sound on Screen-0
Type: Paperback

AED24854

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

This item qualifies for free delivery

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately―we audio-view a trans-sensory whole.

In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.”
Audio-Vision shows us that sound is driving the creation of a sensory cinema.

This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.


Editorial Reviews

Review

An original and useful model for the audiovisual analysis of film. ― Production Expert

Updated and expanded, with additional material from recent film production, the 2019 edition of
Audio-Vision will soon take its place as a valuable textbook for those interested in literary research and practice of cinematic soundtrack. -- Dr. Nick Poulakis ― CINEJ Cinema Journal

Without a shadow of a doubt one of the best books I have ever read,
Audio-Vision’s reprinting is a cause for great celebration. After a quarter of a century, it remains the first port of call for scholars and students of audiovisual culture, offering a cornucopia of theories that conceptualize sound's relationship with the moving image. Never less than enthralling, its acuity has not been dulled by more recent theory and scholarship. -- K. J. Donnelly, author of Occult Aesthetics: Synchronization in Sound Film

When
Audio-Vision first appeared in 1994, it became a lifeline for the burgeoning field of sound/media studies, providing a veritable roadmap to a discourse just beginning to crystallize. The second edition is no less momentous; Chion seamlessly brings current cinematic offerings into his theoretical purview, showing that his understanding of the filmic soundspace is as insightful to historians, theorists, and students as ever. A fundamental text for soundtrack studies. -- Daniel Goldmark, author of Tunes for 'Toons: Music and the Hollywood Cartoon

Michel Chion’s work is a thrilling exploration of film sound in all its forms: real and symbolic, technical and conceptual, dimensional and suggestive. He gives us all the tools we need for describing what films allow us to hear. Chion’s many neologisms are like notes that can reverberate infinitely for every filmgoer, and through innumerable films. This revised edition of
Audio-Vision is a new benchmark for any film scholar. -- Elsie Walker, author of Understanding Sound Tracks Through Film Theory

About the Author

Michel Chion is an independent scholar, composer, filmmaker, and teacher. He is the author of more than thirty books on sound, music, and film, including The Voice in Cinema (Columbia, 1999), Film, a Sound Art (Columbia, 2009), and Words on Screen (Columbia, 2017).

Claudia Gorbman is professor emerita of film studies at the University of Washington, Tacoma. She has written widely about film sound and music and has translated five books by Michel Chion.

Walter Murch has been repeatedly honored by both the British and American Motion Picture Academies for his sound design and picture editing. He has received special recognition for his work in
The Godfather, The Conversation, Apocalypse Now, and The English Patient.

Reviews:

5.0 out of 5 stars Poetic and inspiring (but Kindle version could be improved)

K. · January 29, 2021

The updated 2nd English language edition of this classic - which contains more examples from non-Western films (a gap in the original edition), text that is more focused in places (with some judicious cuts), and some clarifications in the translation.For academic use, this important book deserves a better Kindle edition. This Kindle version doesn't have real page numbers. And in Bolo's Kindle Cloud Reader (which really seems antiquated) you can't even copy/paste words or phrases the way you can in the Kindle device or the iPad app version. This makes it really cumbersome to take notes / quote / cite. Please update these features for those of us who have purchased the Kindle version. Thanks!

Um clássico sobre o que "audiovemos"!

Z.F. · November 24, 2021

Refletindo questões técnicas e subjetivas, o presente livro aponta para a reciprocidade entre o que ouvimos e o que vemos enquanto espectadores de produções cinematográficas e televisivas. Isso posto, trata-se de um clássico: escrito de forma clara e bem fundamentada, sendo indispensável para pesquisadores que se debruçam sobre o estudo do som nas referidas produções. De maneira muito lúcida o texto nos fornece argumentos, terminologias e exemplos consistentes para que aprimoremos nossa capacidade de fruição e de análise. Os acréscimos para esta edição – explicitados na própria sinopse – são muito bem-vindos, apenas reforçando que estamos diante de uma obra única.

Similar suggestions by Bolo

More from this brand

Similar items from “Direction & Production”