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Titus Andronicus: The New Oxford Shakespeare (Oxford World's Classics)

Description:

'Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.'

In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Read more

Review

Select Guide Rating

About the Author

Harry R. McCarthy is Lecturer in Early Modern Literature at the University of Exeter (UK). He previously held a Research Fellowship at Jesus College (University of Cambridge, UK), and is the author of author of Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (2022) and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys (2020). His articles on boyhood, theatre history, contemporary performance of early modern plays, and racial justice in early modern studies, have appeared in journals including Early Theatre, English Literary History, Shakespeare, and Shakespeare Survey, on whose Editorial Board he currently sits.

Gary Taylor is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including The Oxford Handbook of Thomas Middleton (2012), Moment by Moment by Shakespeare (1985), and Reinventing Shakespeare (1989). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and the UK.

Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of The New Oxford Shakespeare and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.

Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeares plays. He is a Series Editor of Studies in Early Modern Authorship and Shakespeare and Text, and a General Editor of The Revels Plays series and the forthcoming Oxford Marlowe edition.

Anna Pruitt is the Managing Editor of Giving USA at the Lilly Family School of Philanthropy at Indiana University. She is an Associate Editor of The New Oxford Shakespeare.

Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for The New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.

Reviews:

5.0 out of 5 stars The best edition of this play in 2025

A. · 1 March 2025

Having read all the main editions of Titus A. as of Feb. 2025 (Arden 3rd, RSC, New Cambridge, New Oxford, Folgers) this one has the most thorough and informative introduction of them all. Not least it's the only one that addresses at length the overt racism of Aaron the Moor.

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Titus Andronicus: The New Oxford Shakespeare (Oxford World's Classics)

Product ID: K0198875053
Condition: New

5

AED5533

Price includes VAT & Import Duties
Type: Paperback
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

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Imported From: United Kingdom

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

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Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

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Visit the OUP Oxford Store

Titus Andronicus: The New Oxford Shakespeare (Oxford World's Classics)

Product ID: K0198875053
Condition: New

5

Titus Andronicus: The New Oxford Shakespeare (Oxford World's Classics)-0
Type: Paperback

AED5533

Price includes VAT & Import Duties
Availability: In Stock

Quantity:

|

Order today to get by 7-14 business days

Delivery fee of AED 20. Free for orders above AED 200.

Returns & Warranty policies

Imported From: United Kingdom

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

BOLO is not an authorized or official retailer for most brands, nor are we affiliated with manufacturers unless specifically stated on a product page. Instead, we source verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

All product information, images, descriptions, and reviews originate from the manufacturer or from trusted sellers overseas. BOLO is not affiliated with, endorsed by, or an authorized retailer for most brands listed on our website unless stated otherwise.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of United Arab Emirates. Any items found to be restricted or prohibited for sale within the UAE will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in United Arab Emirates are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

'Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.'

In Shakespeare's first tragedy, Titus Andronicus, the Roman general Titus incurs the wrath of the Queen of the Goths when he enslaves her and kills one of her sons. The shocking violence of her revenge and his retaliation earn Titus its reputation as Shakespeare's bloodiest play. This New Oxford Shakespeare edition offers a range of critical approaches to the play, considering its initial popularity in the theatre, the authors' engagement with narrative sources and Roman history, and the ongoing problems scholars and theatremakers have had with the play's presentation of violence, rape, and racial difference. Throughout, it incorporates up-to-date scholarship and close readings of a number of landmark productions to consider the play's place in Shakespeare's canon and to illustrate Titus Andronicus's enduring value in interrogating some of wider culture's darkest and most challenging concerns.

The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Read more

Review

Select Guide Rating

About the Author

Harry R. McCarthy is Lecturer in Early Modern Literature at the University of Exeter (UK). He previously held a Research Fellowship at Jesus College (University of Cambridge, UK), and is the author of author of Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (2022) and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys (2020). His articles on boyhood, theatre history, contemporary performance of early modern plays, and racial justice in early modern studies, have appeared in journals including Early Theatre, English Literary History, Shakespeare, and Shakespeare Survey, on whose Editorial Board he currently sits.

Gary Taylor is Robert O. Lawton Distinguished Professor at Florida State University. He is a General Editor of The New Oxford Shakespeare and has written, edited, and co-edited numerous other volumes including The Oxford Handbook of Thomas Middleton (2012), Moment by Moment by Shakespeare (1985), and Reinventing Shakespeare (1989). He general-edited the Signs of Race and History of Text Technologies series, founded the interdisciplinary History of Text Technologies program at FSU, and has written about the practice and theory of editing in various periods and genres. Taylor has also worked to communicate contemporary literary theory and criticism to a mass audience in newspapers, radio, TV, museums and theatres in North America and the UK.

Terri Bourus is Professor of Theatre and Professor of English at Florida State University. She is a General Editor of The New Oxford Shakespeare and the author of Young Shakespeare's Young Hamlet (2014). She has written essays on stage directions, the performance of religious conversion, Shakespeare and Fletcher's Cardenio, the role of Alice in Arden of Faversham, and Middleton's female roles. Bourus is an Equity actor, and has directed and acted in, two very different productions of Hamlet, both based on Q1.

Rory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of ten books and has published widely on Shakespeare. For the New Oxford Shakespeare, he has edited more than ten of Shakespeares plays. He is a Series Editor of Studies in Early Modern Authorship and Shakespeare and Text, and a General Editor of The Revels Plays series and the forthcoming Oxford Marlowe edition.

Anna Pruitt is the Managing Editor of Giving USA at the Lilly Family School of Philanthropy at Indiana University. She is an Associate Editor of The New Oxford Shakespeare.

Francis X. Connor is Associate Professor of English at Wichita State University, where he teaches courses in Shakespeare, Early Modern Literature, and the history of the book. An associate editor for The New Oxford Shakespeare, he is the author of Literary Folios and Ideas of the Book in Early Modern England (2014), and his work has appeared in Shakespeare Survey, PBSA, Sidney Journal, and elsewhere.

Reviews:

5.0 out of 5 stars The best edition of this play in 2025

A. · 1 March 2025

Having read all the main editions of Titus A. as of Feb. 2025 (Arden 3rd, RSC, New Cambridge, New Oxford, Folgers) this one has the most thorough and informative introduction of them all. Not least it's the only one that addresses at length the overt racism of Aaron the Moor.

Similar suggestions by Bolo

More from this brand

Similar items from “Drama & Dramatists”

Share with

Or share with link

https://www.bolo.ae/products/K0198875053